{"id":7382,"date":"2020-05-18T14:29:50","date_gmt":"2020-05-18T12:29:50","guid":{"rendered":"https:\/\/www.artinterview.com\/?post_type=critique&#038;p=7382"},"modified":"2022-12-31T13:05:33","modified_gmt":"2022-12-31T12:05:33","slug":"la-danse-comme-puissance-emancipatrice","status":"publish","type":"critique","link":"https:\/\/artinterview.com\/en\/critique\/la-danse-comme-puissance-emancipatrice\/","title":{"rendered":"La danse, \u00e0 c\u0153ur et \u00e0 corps"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.artinterview.com\/wp-content\/uploads\/2020\/05\/Ecstatic-Danse-photo-YouTube-The-Lab-Blazing-Swan-2017-nb-1024x576.jpg\" alt=\"\" class=\"wp-image-7415\" srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Ecstatic-Danse-photo-YouTube-The-Lab-Blazing-Swan-2017-nb-1024x576.jpg 1024w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Ecstatic-Danse-photo-YouTube-The-Lab-Blazing-Swan-2017-nb-300x169.jpg 300w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Ecstatic-Danse-photo-YouTube-The-Lab-Blazing-Swan-2017-nb-768x432.jpg 768w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Ecstatic-Danse-photo-YouTube-The-Lab-Blazing-Swan-2017-nb.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>D\u2019une puissance \u00e9mancipatrice et sensuelle, la danse est sans doute l\u2019une des belles voies vers la libert\u00e9 et la d\u00e9livrance physique. Histoire de se mettre en jambes, place ici au pouvoir du corps avec des danses qui (re)prennent vie entre ombre et lumi\u00e8re. Floril\u00e8ge.<\/strong><\/p>\n\n\n\n<p>Des corps qui ondoient, se meuvent, se d\u00e9hanchent et s\u2019abandonnent dans l\u2019espace au rythme de la musique. La danse a l\u2019art de savoir rompre avec les fronti\u00e8res, cr\u00e9ant une bulle d\u2019air sur le monde. Cette mani\u00e8re qu\u2019elle a de raconter des histoires, d\u2019inviter \u00e0 la rencontre, d\u2019entrelacer les univers, de lib\u00e9rer les \u00e9nergies, de r\u00e9veiller les consciences et de faire sourire les visages, donne un pouvoir absolu aux corps en mouvement. Un langage vivant et universel qui peut parfois provoquer des petites r\u00e9volutions culturelles. Sph\u00e8re priv\u00e9e ou publique, danser, c\u2019est ainsi prendre sa place dans le monde. So, <em>let\u2019s dance <\/em>!<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>POP, FLASHY &amp; REVIVAL<\/strong><\/p>\n\n\n\n<p>Rien ne se cr\u00e9e, tout se r\u00e9invente. Si la plupart des danses urbaines ont vu le jour aux \u00c9tats-Unis au mitan du XXe si\u00e8cle, elles ont toutes favoris\u00e9 l&#8217;\u00e9mergence de nouveaux styles. Certaines ont r\u00e9ussi une perc\u00e9e sur la sc\u00e8ne artistique internationale au passage du mill\u00e9naire.<\/p>\n\n\n\n<p>\u00c0 commencer par le voguing au <em>body language <\/em>festif, avec ses tenues \u00e0 paillettes, ses strass, son maquillage outrancier et ses talons hauts. Cette danse codifi\u00e9e, issue de la communaut\u00e9 LGBT d\u2019Harlem et de la culture ballroom, est affaire de style et de d\u00e9hanchement. Son nom prend sa source du fameux magazine de mode et s\u2019inspire des poses caricaturales de mannequins sur les <em>runways<\/em>. Popularis\u00e9e par le clip <em>Vogue<\/em> de Madonna dans les ann\u00e9es 90, elle est revenue en force gr\u00e2ce \u00e0 la s\u00e9rie <em>Pose, Climax<\/em> de Gaspar No\u00e9, <em>Port Authority <\/em>de Danielle Lessovitz et des artistes comme Kiddy Smile. Une contre-culture queer qui glisse vers la pop culture.<\/p>\n\n\n\n<p>Mais elle n\u2019est pas la seule. Le waacking, n\u00e9 dans les clubs gays de Los Angeles, a fait aussi son come-back, s\u00e9duisant davantage les femmes. Ou plus exactement les reines du dancefloor. Le clip <em>Apeshit<\/em> de Beyonc\u00e9 et Jay-Z a contribu\u00e9 \u00e0 relancer cette discipline qui s\u2019inspire des poses glamour d\u2019ic\u00f4nes hollywoodiennes, comme Greta Garbo et Marilyn Monroe, au rythme du disco, de la soul et du funk. Un pouvoir d\u2019<em>empowerment<\/em> supr\u00eame dont les valeurs comprennent la c\u00e9l\u00e9bration de l&#8217;individualit\u00e9, l&#8217;expression de soi, la narration et le drame.<\/p>\n\n\n\n<p>De son c\u00f4t\u00e9, le Hiplet (prononc\u00e9 <em>hip-lay<\/em>) a fait \u00e9galement tourner les t\u00eates. Ph\u00e9nom\u00e8ne viral plus r\u00e9cent, cette danse hybride, fond\u00e9e par Homer Hans Bryant du <a href=\"https:\/\/cmdcschool.weebly.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Multicultural Dance Center de Chicago<\/a>, fusionne technique des pointes du ballet et hip-hop. Rythvm\u00e9, \u00e9lanc\u00e9 et \u00e9l\u00e9gant, ce style a su casser les codes pour affoler les dancefloors outre-Atlantique.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"642\" src=\"https:\/\/www.artinterview.com\/wp-content\/uploads\/2020\/05\/Hiplet-credit-Kai-Regan.jpg\" alt=\"\" class=\"wp-image-7418\" srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Hiplet-credit-Kai-Regan.jpg 1024w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Hiplet-credit-Kai-Regan-300x188.jpg 300w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Hiplet-credit-Kai-Regan-768x482.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Hiplet &#8211; credit Kai Regan<\/figcaption><\/figure>\n\n\n\n<p><strong>ENTENTE \u00c0 DEUX<\/strong><\/p>\n\n\n\n<p>\u00c0 l\u2019\u00e9vidence, la beaut\u00e9 de la danse est qu\u2019elle sait s\u2019immiscer sans se parler. Elle met les peaux en contact et redonne un sens au toucher. Un art qui invite \u00e0 la rencontre. C\u2019est une des raisons pour lesquelles les danses de couple sont devenues branch\u00e9es ces derni\u00e8res ann\u00e9es. Les gens ressentent le besoin de se divertir, d\u00fb en partie \u00e0 la tension sociale. L\u2019attrait des com\u00e9dies musicales (<em>Dirty Dancing, Grease, La La Land) <\/em>et de l\u2019\u00e9mission <em>Danse avec les Stars, <\/em>a redonn\u00e9 souffle \u00e0 ces pratiques, qui touchent tous les domaines. Si les danses de salon ont \u00e9t\u00e9 per\u00e7ues comme ringardes, destin\u00e9es aux bals populaires et autres guinguettes pour s\u00e9niors, les millenials sont cette fois sur la piste.<\/p>\n\n\n\n<p>\u00c0 l\u2019heure o\u00f9 la soci\u00e9t\u00e9 c\u00e8de au vintage et \u00e0 la nostalgie, nombreux sont les adeptes \u00e0 se laisser griser par le retour en gr\u00e2ce du swing, avec des chor\u00e9graphies virevoltantes et sensuelles. La renaissance du Lindy Hop, prenant ses racines dans les rues de Harlem pendant les ann\u00e9es folles, fait fureur. \u00c9nergique et festive, elle regroupe des mouvements de charleston, de boogie-woogie et de claquettes. Elle puise aujourd\u2019hui sa force dans des musiques \u00e9lectro swing, avec des groupes phares comme Lyre le Temps. Le West Coast Swing (WCS), issu du Lindy Hop, conna\u00eet aussi un regain particulier. Cette danse californienne des ann\u00e9es 50 a su s\u2019adapter \u00e0 l\u2019air du temps faisant sautiller les corps sur des musiques RnB, pop, dance, soul et funk. Des rem\u00e8des contre la morosit\u00e9 qui font hocher la t\u00eate et taper du pied les nouvelles g\u00e9n\u00e9rations.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.artinterview.com\/wp-content\/uploads\/2020\/05\/Lindy-Hop-danseurs-pro-Kevin-St-Laurent-et-Emily-aka-Jo-site-1024x683.jpg\" alt=\"\" class=\"wp-image-7392\" srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Lindy-Hop-danseurs-pro-Kevin-St-Laurent-et-Emily-aka-Jo-site-1024x683.jpg 1024w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Lindy-Hop-danseurs-pro-Kevin-St-Laurent-et-Emily-aka-Jo-site-300x200.jpg 300w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Lindy-Hop-danseurs-pro-Kevin-St-Laurent-et-Emily-aka-Jo-site-768x512.jpg 768w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Lindy-Hop-danseurs-pro-Kevin-St-Laurent-et-Emily-aka-Jo-site-1536x1025.jpg 1536w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Lindy-Hop-danseurs-pro-Kevin-St-Laurent-et-Emily-aka-Jo-site.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><em>Photo \u00e0 la une : Lindy Hop &#8211; danseurs pro Kevin St Laurent et Emily aka Jo<\/em><\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-group__inner-container\"><\/div><\/div>\n\n\n\n<p><strong>L\u00c2CHER PRISE<\/strong><\/p>\n\n\n\n<p>L\u2019intensit\u00e9 des danses sociales reste ainsi palpable, physique et charnelle, favorisant l\u2019abandon de soi, le d\u00e9passement de ses peurs, l\u2019\u00e9panouissement et la cr\u00e9ativit\u00e9. Pour les amateurs en qu\u00eate de spiritualit\u00e9, l\u2019Ecstatic Dance propose une autre perception aux vertus lib\u00e9ratoires. Pratiqu\u00e9e \u00e0 Hawa\u00ef, Goa, San Francisco ou encore en Gr\u00e8ce, et dans plusieurs capitales dont Paris, cette danse plus r\u00e9cente se veut libre de toute chor\u00e9graphie, s\u2019appuyant uniquement sur le pouvoir de la musique. Le but est de se connecter \u00e0 son moi int\u00e9rieur jusqu\u2019\u00e0 ressentir des sensations de transe et d\u2019extase. Sans drogue ni alcool. Condition <em>sine qua non<\/em>. La danse extatique privil\u00e9gie de fait des lieux lumineux, loin des atmosph\u00e8res sombres et confin\u00e9es des bo\u00eetes de nuit. Lib\u00e9rer les esprits et \u00e9mouvoir les corps, telles sont les bases de ce concept o\u00f9 chacun puise en soi en se liant aux autres.<\/p>\n\n\n\n<p>Prot\u00e9iforme, la danse fait ainsi valser les \u00e9tiquettes. Elixir de jeunesse, parade de s\u00e9duction, moyens d\u2019expression identitaire, d\u2019int\u00e9gration sociale et de r\u00e9silience, acte de ralliement ou dimension politique, elle met le c\u0153ur en f\u00eate et tend vers une v\u00e9rit\u00e9 salutaire qui appartient \u00e0 tout un chacun. Sans faux pas.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"WHAT&#039;S HAPPENING TO PEOPLE IN &quot;ECSTATIC DANCE?!&quot;\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/RTnRHkMChbI?feature=oembed&amp;rel=0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Ecstatic Dance<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Madonna - Vogue (Official Video)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/GuJQSAiODqI?feature=oembed&amp;rel=0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Clip &#8220;Vogue&#8221; Madonna directed by David Fincher<\/figcaption><\/figure>\n\n\n\n\n<script>\n  $( document ).ready(function() {\n  var pathDirections = {\n  view: 'M155.5,50l-50-50l-5,5l45,45l-45,45l5,5L155.5,50z M0,50l50,50l5-5L10,50L55,5l-5-5L0,50z',\n  exit: 'M55,50L5,0L0,5l45,45L0,95l5,5L55,50z M100.5,50l50,50l5-5l-45-45l45-45l-5-5L100.5,50z',\n};\n\nvar svgURI = 'http:\/\/www.w3.org\/2000\/svg';\n\nFlickity.FullscreenButton.prototype.createIcon = function() {\n  var svg = document.createElementNS( svgURI, 'svg');\n  svg.setAttribute( 'class', 'flickity-button-icon' );\n  svg.setAttribute( 'viewBox', '0 0 155.5 100' );\n  \/\/ path & direction\n  var path = document.createElementNS( svgURI, 'path');\n  var direction = pathDirections[ this.name ];\n  path.setAttribute( 'd', direction );\n  \/\/ put it together\n  svg.appendChild( path );\n  this.element.appendChild( svg );\n};\n});\n<\/script>\n\n\n\n<div class=\"mb-3\">\n<div class=\"carousel carousel-main invisible  carnum1024045288\" data-flickity='{\"lazyLoad\": 1, \"adaptiveHeight\": true, \"fullscreen\": true, \"imagesLoaded\": true, \"pageDots\": false,\"wrapAround\": true,\"arrowShape\":{\"x0\":10,\"x1\":60,\"y1\":50,\"x2\":65,\"y2\":45,\"x3\":20} }'>\n  \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Voguing-serie-Pose-2-site-1024x680.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Voguing-serie-Pose-2-site-300x199.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Voguing-serie-Pose-2-site-1024x680.jpg\" alt=\"\" \/>\n\n                <\/figure>\n      <\/div>\n    <\/div>\n    \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Voguing-serie-Pose-1-site-1024x682.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Voguing-serie-Pose-1-site-300x200.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Voguing-serie-Pose-1-site-1024x682.jpg\" alt=\"\" \/>\n\n                <\/figure>\n      <\/div>\n    <\/div>\n    <\/div>\n\n<div class=\"carousel carousel-nav\"\n  data-flickity='{ \"imagesLoaded\": true,\"lazyLoad\": true, \"asNavFor\": \".carnum1024045288\", \"contain\": true, \"pageDots\": false, \"prevNextButtons\": false }'>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Voguing-serie-Pose-2-site-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Voguing-serie-Pose-2-site-150x150.jpg\" alt=\"Thumbnail of \" \/>\n        <\/figure>\n      <\/div>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Voguing-serie-Pose-1-site-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/Voguing-serie-Pose-1-site-150x150.jpg\" alt=\"Thumbnail of \" \/>\n        <\/figure>\n      <\/div>\n        <\/div>\n<\/div>\n<style>\n  .invisible.flickity-enabled {visibility: visible !important}\n  <\/style>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Hip-Hop En Pointe: The Rhythm and Beat of Hiplet\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/lxvUfgAKZi8?feature=oembed&amp;rel=0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Hip-Hop En Pointe: The Rhythm and Beat of Hiplet<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"THE CARTERS - APESHIT (Official Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/kbMqWXnpXcA?feature=oembed&amp;rel=0\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Clip <em>Apeshit<\/em> de Beyonc\u00e9 et Jay-Z<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"578\" src=\"https:\/\/www.artinterview.com\/wp-content\/uploads\/2020\/05\/La-La-Land-site-1024x578.jpg\" alt=\"\" class=\"wp-image-7390\" srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/La-La-Land-site-1024x578.jpg 1024w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/La-La-Land-site-300x169.jpg 300w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/La-La-Land-site-768x433.jpg 768w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/La-La-Land-site.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>La La Land &#8211; Com\u00e9die musicale de Damien Chazelle<\/figcaption><\/figure>\n","protected":false},"featured_media":7415,"template":"","class_list":["post-7382","critique","type-critique","status-publish","has-post-thumbnail","hentry","categorie_crit-danse"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La danse, \u00e0 c\u0153ur et \u00e0 corps - Art Interview<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artinterview.com\/en\/critique\/la-danse-comme-puissance-emancipatrice\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La danse, \u00e0 c\u0153ur et \u00e0 corps - Art Interview\" \/>\n<meta property=\"og:description\" content=\"D\u2019une puissance \u00e9mancipatrice et sensuelle, la danse est sans doute l\u2019une des belles voies vers la libert\u00e9 et la d\u00e9livrance physique. Histoire de se mettre en jambes, place ici au pouvoir du corps avec des danses qui (re)prennent vie entre ombre et lumi\u00e8re. Floril\u00e8ge. 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