{"id":13334,"date":"2025-07-02T14:53:20","date_gmt":"2025-07-02T12:53:20","guid":{"rendered":"https:\/\/artinterview.com\/?post_type=critique&#038;p=13334"},"modified":"2025-09-23T21:47:03","modified_gmt":"2025-09-23T19:47:03","slug":"francis-joannes","status":"publish","type":"critique","link":"https:\/\/artinterview.com\/en\/critique\/francis-joannes\/","title":{"rendered":"Francis Joann\u00e8s"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Gudea prince de Lagash<\/h3>\n\n\n\n<p class=\"has-text-align-center bgred\">\u00c0 la rencontre d\u2019une personnalit\u00e9 du monde de l\u2019art et de la culture, nous avons pos\u00e9 une question simple&nbsp;:<br>quelle \u0153uvre vous a marqu\u00e9&nbsp;et compte dans votre vie et votre parcours&nbsp;?<br>Retour sur la fascination, l\u2019\u00e9merveillement, le trouble ou le choc suscit\u00e9s par une \u0153uvre d\u2019art\u2026<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"950\" height=\"626\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img-1.jpg\" alt=\"\" class=\"wp-image-13339\" srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img-1.jpg 950w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img-1-300x198.jpg 300w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img-1-768x506.jpg 768w\" sizes=\"auto, (max-width: 950px) 100vw, 950px\" \/><figcaption class=\"wp-element-caption\">Gudea, Prince de Lagash, \u00a9 2015, Mus\u00e9e du Louvre \/ Thierry Ollivier<\/figcaption><\/figure>\n\n\n<div class=\"blockauteur\">\n    <p class=\"mt-3\"  itemprop=\"author\" itemtype=\"http:\/\/schema.org\/Person\">Par Fanny Revault<\/p>\n<\/div>\n\n\n<p><strong>Durant ses \u00e9tudes en histoire du Proche-Orient antique, Francis Joann\u00e8s fut fascin\u00e9 par un ensemble d\u2019\u0153uvres&nbsp;: les statues d\u2019orants de Gudea. Prince de Lagash, en M\u00e9sopotamie vers  2120 av. J-C. dont le nom signifie \u00ab&nbsp;l\u2019appel\u00e9&nbsp;\u00bb, il a laiss\u00e9 une vingtaine de statues, dont une grande partie est conserv\u00e9e au mus\u00e9e du Louvre. Assise ou debout, ces statues \u00e9taient plac\u00e9es dans les temples afin de perp\u00e9tuer sa pri\u00e8re au dieu. Taill\u00e9e en diorite, pierre dure, elles offrent un aspect poli \u00e9tonnant. La perfection de la finition et la rondeur des volumes \u00e9voquent les \u0153uvres de contemporains. Cette \u00e9trange modernit\u00e9 d\u2019\u0153uvres ayant travers\u00e9 quatre mill\u00e9naires a suscit\u00e9 l\u2019int\u00e9r\u00eat de Francis Joann\u00e8s. L\u2019attitude pieuse, humble, mains jointes des statues est surprenante pour un potentat. Elles rappellent que ce pouvoir est d\u2019essence divine et que le prince en est conscient. Retour sur la relation \u00e9troite avec une \u0153uvre qui a travers\u00e9 les si\u00e8cles.<\/strong><\/p>\n\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p>Quelle \u0153uvre vous a marqu\u00e9 lors de vos \u00e9tudes sup\u00e9rieures en histoire ?<\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p>C&#8217;est \u00e0 la fois lors de la d\u00e9couverte de certaines salles du Louvre et durant mon parcours d&#8217;initiation \u00e0 l&#8217;histoire de la M\u00e9sopotamie, que j\u2019ai d\u00e9couvert une \u0153uvre, ou plut\u00f4t une collection de statues qui m\u2019a vraiment impressionn\u00e9 : ce sont les statues qu&#8217;on appelle les statues de Gudea. \u2028Gudea, c\u2019est un prince d&#8217;une cit\u00e9-\u00c9tat sum\u00e9rienne, vers 2 100 avant J.-C., dans le sud de la M\u00e9sopotamie, actuellement l\u2019Iraq. Dans l&#8217;\u00c9tat de Lagash, ce prince Gudea, dont le nom signifie probablement \u00ab celui qui a \u00e9t\u00e9 appel\u00e9 par les dieux \u00e0 exercer le pouvoir \u00bb, s&#8217;est fait repr\u00e9senter dans une s\u00e9rie d\u2019une vingtaine de statues en position de pri\u00e8re. Ce sont ce qu&#8217;on appelle des <em>statues d\u2019orants<\/em>, destin\u00e9es \u00e0 \u00eatre dispos\u00e9es dans les temples de la ville de Lagash, de fa\u00e7on \u00e0 repr\u00e9senter ou incarner, en quelque sorte, Gudea lui-m\u00eame en position perp\u00e9tuelle de pri\u00e8re devant ses dieux.<\/p>\n<\/div>\n<\/div>\n\n\n\n<script>\n  $( document ).ready(function() {\n  var pathDirections = {\n  view: 'M155.5,50l-50-50l-5,5l45,45l-45,45l5,5L155.5,50z M0,50l50,50l5-5L10,50L55,5l-5-5L0,50z',\n  exit: 'M55,50L5,0L0,5l45,45L0,95l5,5L55,50z M100.5,50l50,50l5-5l-45-45l45-45l-5-5L100.5,50z',\n};\n\nvar svgURI = 'http:\/\/www.w3.org\/2000\/svg';\n\nFlickity.FullscreenButton.prototype.createIcon = function() {\n  var svg = document.createElementNS( svgURI, 'svg');\n  svg.setAttribute( 'class', 'flickity-button-icon' );\n  svg.setAttribute( 'viewBox', '0 0 155.5 100' );\n  \/\/ path & direction\n  var path = document.createElementNS( svgURI, 'path');\n  var direction = pathDirections[ this.name ];\n  path.setAttribute( 'd', direction );\n  \/\/ put it together\n  svg.appendChild( path );\n  this.element.appendChild( svg );\n};\n});\n<\/script>\n\n\n\n<div class=\"mb-3\">\n<div class=\"carousel carousel-main invisible  carnum1815531644\" data-flickity='{\"lazyLoad\": 1, \"adaptiveHeight\": true, \"fullscreen\": true, \"imagesLoaded\": true, \"pageDots\": false,\"wrapAround\": true,\"arrowShape\":{\"x0\":10,\"x1\":60,\"y1\":50,\"x2\":65,\"y2\":45,\"x3\":20} }'>\n  \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img_-1024x655.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img_-300x192.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img_-1024x655.jpg\" alt=\"Gudea, Prince de Lagash, \u00a9 2015, Mus\u00e9e du Louvre \/ Thierry Ollivier\" \/>\n\n        <figcaption><p class=\"caption\">Gudea, Prince de Lagash, \u00a9 2015, Mus\u00e9e du Louvre \/ Thierry Ollivier<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150080.img_-1024x655.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150080.img_-300x192.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150080.img_-1024x655.jpg\" alt=\"Gudea, Prince de Lagash, \u00a9 2015, Mus\u00e9e du Louvre \/ Thierry Ollivier\" \/>\n\n        <figcaption><p class=\"caption\">Gudea, Prince de Lagash, \u00a9 2015, Mus\u00e9e du Louvre \/ Thierry Ollivier<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150082.img_-1024x655.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150082.img_-300x192.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150082.img_-1024x655.jpg\" alt=\"Gudea, Prince de Lagash, \u00a9\" \/>\n\n        <figcaption><p class=\"caption\">Gudea, Prince de Lagash, \u00a9<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    <\/div>\n\n<div class=\"carousel carousel-nav\"\n  data-flickity='{ \"imagesLoaded\": true,\"lazyLoad\": true, \"asNavFor\": \".carnum1815531644\", \"contain\": true, \"pageDots\": false, \"prevNextButtons\": false }'>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img_-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img_-150x150.jpg\" alt=\"Thumbnail of http:\/\/Gudea,%20Prince%20de%20Lagash,%20\u00a9%202015,%20Mus\u00e9e%20du%20Louvre%20\/%20Thierry%20Ollivier\" \/>\n        <\/figure>\n      <\/div>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150080.img_-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150080.img_-150x150.jpg\" alt=\"Thumbnail of http:\/\/Gudea,%20Prince%20de%20Lagash,%20\u00a9%202015,%20Mus\u00e9e%20du%20Louvre%20\/%20Thierry%20Ollivier\" \/>\n        <\/figure>\n      <\/div>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150082.img_-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150082.img_-150x150.jpg\" alt=\"Thumbnail of http:\/\/Gudea,%20Prince%20de%20Lagash,%20\u00a9\" \/>\n        <\/figure>\n      <\/div>\n        <\/div>\n<\/div>\n<style>\n  .invisible.flickity-enabled {visibility: visible !important}\n  <\/style>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p>\u00c9tait-il important pour le prince de Lagash d\u2019inscrire cette repr\u00e9sentation de lui-m\u00eame dans les temples pour r\u00e9it\u00e9rer sa pri\u00e8re, pr\u00e9server la paix et son pouvoir sur la ville ?<\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p>Oui, c&#8217;\u00e9tait parce que lui-m\u00eame ne pouvait pas passer sa vie dans les temples \u00e0 prier les dieux, m\u00eame s&#8217;il \u00e9tait particuli\u00e8rement pieux. On sait que c&#8217;est ce prince qui, par ses inscriptions royales, a tenu \u00e0 marquer son prestige, sa puissance et toute l&#8217;\u00e9tendue de son pouvoir. Et l\u00e0, il est repr\u00e9sent\u00e9 de fa\u00e7on extr\u00eamement humble, pourrait-on dire tr\u00e8s d\u00e9pouill\u00e9e.<\/p>\n<\/div>\n<\/div>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p>Son statut de potentat contraste avec cette repr\u00e9sentation \u00e9pur\u00e9e et humble, en effet. Pourriez-vous nous d\u00e9crire cette \u0153uvre\u00a0?  Quels sont les caract\u00e9ristiques de cette statue\u00a0?<\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p>En g\u00e9n\u00e9ral, la t\u00eate des statues d\u2019orants est imberbe, alors qu&#8217;on sait qu\u2019en M\u00e9sopotamie, le fait de montrer une barbe abondante est un signe de prestige et de puissance. Il est v\u00eatu simplement, un carr\u00e9 de tissu drap\u00e9 autour de son corps, qui laisse \u00e0 d\u00e9couvert l&#8217;\u00e9paule droite et le bras. Ce n&#8217;est pas lui qui est destin\u00e9 \u00e0 attirer l&#8217;attention. Ce qui attire l&#8217;attention, ce sont les deux \u00e9l\u00e9ments les plus expressifs d&#8217;une personnalit\u00e9 : les mains et le visage. Or, les mains de Gudea, sur chacune de ces statues, sont repr\u00e9sent\u00e9es dans le geste traditionnel de la pri\u00e8re m\u00e9sopotamienne, serr\u00e9es l&#8217;une contre l&#8217;autre, ench\u00e2ss\u00e9es, et parfaitement immobiles. \u2028\u2028Le visage est aussi repr\u00e9sent\u00e9 dans une expression tr\u00e8s calme et pieuse&#8230;<\/p>\n<p>L&#8217;autre \u00e9l\u00e9ment, c&#8217;est le visage : il a les yeux l\u00e9g\u00e8rement tourn\u00e9s vers le haut, vers la divinit\u00e9, comme s&#8217;il \u00e9tait fascin\u00e9 dans ce dialogue intime avec la divinit\u00e9 \u00e0 laquelle il s&#8217;adresse. En g\u00e9n\u00e9ral, les l\u00e8vres sont immobiles, ou alors marqu\u00e9es d&#8217;un tr\u00e8s l\u00e9ger sourire, presque \u00e0 La Joconde, qui traduit cet univers personnel dans lequel se trouve le roi. \u2028Ainsi, le personnage le plus puissant du royaume se repr\u00e9sente dans cette posture fig\u00e9e, mais qui exprime pourtant \u00e9norm\u00e9ment de pi\u00e9t\u00e9 et de sentiments vis-\u00e0-vis des divinit\u00e9s.<\/p>\n<\/div>\n<\/div>\n\n\n\n<script>\n  $( document ).ready(function() {\n  var pathDirections = {\n  view: 'M155.5,50l-50-50l-5,5l45,45l-45,45l5,5L155.5,50z M0,50l50,50l5-5L10,50L55,5l-5-5L0,50z',\n  exit: 'M55,50L5,0L0,5l45,45L0,95l5,5L55,50z M100.5,50l50,50l5-5l-45-45l45-45l-5-5L100.5,50z',\n};\n\nvar svgURI = 'http:\/\/www.w3.org\/2000\/svg';\n\nFlickity.FullscreenButton.prototype.createIcon = function() {\n  var svg = document.createElementNS( svgURI, 'svg');\n  svg.setAttribute( 'class', 'flickity-button-icon' );\n  svg.setAttribute( 'viewBox', '0 0 155.5 100' );\n  \/\/ path & direction\n  var path = document.createElementNS( svgURI, 'path');\n  var direction = pathDirections[ this.name ];\n  path.setAttribute( 'd', direction );\n  \/\/ put it together\n  svg.appendChild( path );\n  this.element.appendChild( svg );\n};\n});\n<\/script>\n\n\n\n<div class=\"mb-3\">\n<div class=\"carousel carousel-main invisible  carnum437416501\" data-flickity='{\"lazyLoad\": 1, \"adaptiveHeight\": true, \"fullscreen\": true, \"imagesLoaded\": true, \"pageDots\": false,\"wrapAround\": true,\"arrowShape\":{\"x0\":10,\"x1\":60,\"y1\":50,\"x2\":65,\"y2\":45,\"x3\":20} }'>\n  \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150079.img_-1024x655.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150079.img_-300x192.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150079.img_-1024x655.jpg\" alt=\"Gudea, Prince de Lagash, \u00a9 2015, Mus\u00e9e du Louvre \/ Thierry Ollivier\" \/>\n\n        <figcaption><p class=\"caption\">Gudea, Prince de Lagash, \u00a9 2015, Mus\u00e9e du Louvre \/ Thierry Ollivier<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img-1.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img-1-300x198.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img-1.jpg\" alt=\"Gudea, Prince de Lagash, \u00a9 2015, Mus\u00e9e du Louvre \/ Thierry Ollivier\" \/>\n\n        <figcaption><p class=\"caption\">Gudea, Prince de Lagash, \u00a9 2015, Mus\u00e9e du Louvre \/ Thierry Ollivier<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    <\/div>\n\n<div class=\"carousel carousel-nav\"\n  data-flickity='{ \"imagesLoaded\": true,\"lazyLoad\": true, \"asNavFor\": \".carnum437416501\", \"contain\": true, \"pageDots\": false, \"prevNextButtons\": false }'>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150079.img_-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150079.img_-150x150.jpg\" alt=\"Thumbnail of http:\/\/Gudea,%20Prince%20de%20Lagash,%20\u00a9%202015,%20Mus\u00e9e%20du%20Louvre%20\/%20Thierry%20Ollivier\" \/>\n        <\/figure>\n      <\/div>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img-1-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img-1-150x150.jpg\" alt=\"Thumbnail of http:\/\/Gudea,%20Prince%20de%20Lagash,%20\u00a9%202015,%20Mus\u00e9e%20du%20Louvre%20\/%20Thierry%20Ollivier\" \/>\n        <\/figure>\n      <\/div>\n        <\/div>\n<\/div>\n<style>\n  .invisible.flickity-enabled {visibility: visible !important}\n  <\/style>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p>En M\u00e9sopotamie, quels sont les autres souverains qui ont utilis\u00e9 ce type de repr\u00e9sentation\u00a0?<\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p>On retrouve cette attitude avec les statues des rois assyriens du VIIIe si\u00e8cle avant J.-C. L\u00e0 encore, le roi est repr\u00e9sent\u00e9 dans toute sa puissance, mais a les yeux exorbit\u00e9s, parce qu&#8217;il regarde la statue de la divinit\u00e9. C&#8217;est notamment le cas d\u2019Assurnasirpal et de Salmanazar, dont on sait par ailleurs qu&#8217;ils ont \u00e9t\u00e9 des conqu\u00e9rants d&#8217;une cruaut\u00e9 absolue, et qui sont pourtant repr\u00e9sent\u00e9s en fid\u00e8les du dieu. Ce contraste est extraordinaire.\u2028<\/p>\n<\/div>\n<\/div>\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/\u00a9-The-Trustees-of-the-British-Museum-1024x640.jpg\" alt=\"\" class=\"wp-image-13347\" srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/\u00a9-The-Trustees-of-the-British-Museum-1024x640.jpg 1024w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/\u00a9-The-Trustees-of-the-British-Museum-300x188.jpg 300w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/\u00a9-The-Trustees-of-the-British-Museum-768x480.jpg 768w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/\u00a9-The-Trustees-of-the-British-Museum.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Assurnasirpal II, \u00a9 The trustees of the British Museum<\/figcaption><\/figure>\n\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p>Ces statues d\u2019orants rappellent que le pouvoir des rois est d\u2019essence divine\u2026<\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p>Cette attitude que l&#8217;on donne aux statues d\u2019orants m\u00e9sopotamiennes est vraiment particuli\u00e8re. Elles donnent l&#8217;impression d&#8217;\u00eatre en pr\u00e9sence de la divinit\u00e9, car il s&#8217;agit de statues de culte cens\u00e9es \u00eatre habit\u00e9es par le dieu, et les rois en d\u00e9pendent totalement. C&#8217;est la divinit\u00e9 qui leur assure leur pouvoir, qui les l\u00e9gitime, et \u00e0 laquelle ils doivent rendre des comptes sur la mani\u00e8re dont ils exercent ce pouvoir. La divinit\u00e9 particuli\u00e8re du royaume de Gudea est le dieu sum\u00e9rien Ningirsu, un \u00ab dieu h\u00e9ros \u00bb qui combat les forces du mal et prot\u00e8ge le royaume contre les menaces.<\/p>\n<\/div>\n<\/div>\n\n\n\n<script>\n  $( document ).ready(function() {\n  var pathDirections = {\n  view: 'M155.5,50l-50-50l-5,5l45,45l-45,45l5,5L155.5,50z M0,50l50,50l5-5L10,50L55,5l-5-5L0,50z',\n  exit: 'M55,50L5,0L0,5l45,45L0,95l5,5L55,50z M100.5,50l50,50l5-5l-45-45l45-45l-5-5L100.5,50z',\n};\n\nvar svgURI = 'http:\/\/www.w3.org\/2000\/svg';\n\nFlickity.FullscreenButton.prototype.createIcon = function() {\n  var svg = document.createElementNS( svgURI, 'svg');\n  svg.setAttribute( 'class', 'flickity-button-icon' );\n  svg.setAttribute( 'viewBox', '0 0 155.5 100' );\n  \/\/ path & direction\n  var path = document.createElementNS( svgURI, 'path');\n  var direction = pathDirections[ this.name ];\n  path.setAttribute( 'd', direction );\n  \/\/ put it together\n  svg.appendChild( path );\n  this.element.appendChild( svg );\n};\n});\n<\/script>\n\n\n\n<div class=\"mb-3\">\n<div class=\"carousel carousel-main invisible  carnum915254469\" data-flickity='{\"lazyLoad\": 1, \"adaptiveHeight\": true, \"fullscreen\": true, \"imagesLoaded\": true, \"pageDots\": false,\"wrapAround\": true,\"arrowShape\":{\"x0\":10,\"x1\":60,\"y1\":50,\"x2\":65,\"y2\":45,\"x3\":20} }'>\n  \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/68ce8ff8ce19c39c3cfc09b02d0f6760.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/68ce8ff8ce19c39c3cfc09b02d0f6760-300x201.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/68ce8ff8ce19c39c3cfc09b02d0f6760.jpg\" alt=\"Couple d&#039;orants sum\u00e9riens, \u00a9\" \/>\n\n        <figcaption><p class=\"caption\">Couple d&#8217;orants sum\u00e9riens, \u00a9<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/3489370df2dba0a838cc28de56283f0b.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/3489370df2dba0a838cc28de56283f0b-300x200.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/3489370df2dba0a838cc28de56283f0b.jpg\" alt=\"\u00a9 David Lees\/ Corbis\/ VCG\/ Getty Images\" \/>\n\n        <figcaption><p class=\"caption\">\u00a9 David Lees\/ Corbis\/ VCG\/ Getty Images<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    <\/div>\n\n<div class=\"carousel carousel-nav\"\n  data-flickity='{ \"imagesLoaded\": true,\"lazyLoad\": true, \"asNavFor\": \".carnum915254469\", \"contain\": true, \"pageDots\": false, \"prevNextButtons\": false }'>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/68ce8ff8ce19c39c3cfc09b02d0f6760-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/68ce8ff8ce19c39c3cfc09b02d0f6760-150x150.jpg\" alt=\"Thumbnail of http:\/\/Couple%20d&#039;orants%20sum\u00e9riens,%20\u00a9\" \/>\n        <\/figure>\n      <\/div>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/3489370df2dba0a838cc28de56283f0b-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/3489370df2dba0a838cc28de56283f0b-150x150.jpg\" alt=\"Thumbnail of http:\/\/\u00a9%20David%20Lees\/%20Corbis\/%20VCG\/%20Getty%20Images\" \/>\n        <\/figure>\n      <\/div>\n        <\/div>\n<\/div>\n<style>\n  .invisible.flickity-enabled {visibility: visible !important}\n  <\/style>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p>Qu\u2019est-ce qui vous fascine dans ces statues d\u2019orants ?<\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p>Ce qui me fascine, c&#8217;est d&#8217;abord la distance temporelle : il existe tr\u00e8s peu d&#8217;\u0153uvres aussi anciennes, vieilles de plus de 4 000 ans. Puis, c\u2019est le but m\u00eame de cette repr\u00e9sentation : r\u00e9ussir \u00e0 exprimer une pi\u00e9t\u00e9 intense \u00e0 travers des proc\u00e9d\u00e9s extr\u00eamement simples. \u2028\u2028Ce qui est int\u00e9ressant aussi, c&#8217;est que l&#8217;on retrouve certains proc\u00e9d\u00e9s de sculpteurs contemporains, qui se concentrent sur la forme au d\u00e9triment des d\u00e9tails. Je trouve qu\u2019il y a une sorte de parent\u00e9 \u00e0 travers les si\u00e8cles et les mill\u00e9naires entre Gudea et certaines \u0153uvres de la sculpture contemporaine\u2026<\/p>\n<\/div>\n<\/div>\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=TrmGQdZEupk\" target=\"_blank\" rel=\"noreferrer noopener\">Visionnez ici l&#8217;interview de Francis Joann\u00e8s<\/a><\/p>\n","protected":false},"featured_media":13339,"template":"","class_list":["post-13334","critique","type-critique","status-publish","has-post-thumbnail","hentry","categorie_crit-autour-d-une-oeuvre","categorie_crit-sculpture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Francis Joann\u00e8s - Art Interview<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artinterview.com\/en\/critique\/francis-joannes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Francis Joann\u00e8s - Art Interview\" \/>\n<meta property=\"og:description\" content=\"Gudea prince de Lagash \u00c0 la rencontre d\u2019une personnalit\u00e9 du monde de l\u2019art et de la culture, nous avons pos\u00e9 une question simple&nbsp;:quelle \u0153uvre vous a marqu\u00e9&nbsp;et compte dans votre vie et votre parcours&nbsp;?Retour sur la fascination, l\u2019\u00e9merveillement, le trouble ou le choc suscit\u00e9s par une \u0153uvre d\u2019art\u2026 Durant ses \u00e9tudes en histoire du Proche-Orient [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artinterview.com\/en\/critique\/francis-joannes\/\" \/>\n<meta property=\"og:site_name\" content=\"Art Interview\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/artinterviewmagazine\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-23T19:47:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/06\/TO150078.img-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"950\" \/>\n\t<meta property=\"og:image:height\" content=\"626\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artinterview.com\\\/en\\\/critique\\\/francis-joannes\\\/\",\"url\":\"https:\\\/\\\/artinterview.com\\\/en\\\/critique\\\/francis-joannes\\\/\",\"name\":\"Francis Joann\u00e8s - 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