{"id":1330,"date":"2020-01-31T14:55:58","date_gmt":"2020-01-31T13:55:58","guid":{"rendered":"http:\/\/artinterview.bai-bao.fr\/?post_type=critique&#038;p=1330"},"modified":"2022-12-31T13:05:24","modified_gmt":"2022-12-31T12:05:24","slug":"lartiste-tactile-ou-la-touche-touchante","status":"publish","type":"critique","link":"https:\/\/artinterview.com\/en\/critique\/lartiste-tactile-ou-la-touche-touchante\/","title":{"rendered":"L\u2019artiste tactile ou la touche touchante"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"563\" src=\"https:\/\/www.artinterview.com\/wp-content\/uploads\/2020\/01\/marc-go-1024x563.jpg\" alt=\"\" class=\"wp-image-7303\" srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/01\/marc-go-1024x563.jpg 1024w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/01\/marc-go-300x165.jpg 300w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/01\/marc-go-768x422.jpg 768w, https:\/\/artinterview.com\/wp-content\/uploads\/2020\/01\/marc-go.jpg 1300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><em><strong>L\u2019oeil du peintre Marc Goldstain<\/strong><\/em><br><br>La touche du peintre\u2026 On la voit sur les tableaux accroch\u00e9s dans les mus\u00e9es, les galeries d\u2019art\u2026<br><br>Mais elle est d\u2019abord&nbsp;<em>un acte relationnel<\/em>&nbsp;qui implique le fait de \u00ab toucher \u00bb le support \u2013 toile, papier\u2026 \u2013 lorsque l\u2019artiste peint. C\u2019est le moment o\u00f9 le corps entre en action au service de la main, du pinceau. D\u2019une certaine fa\u00e7on, lorsque son outil entre en contact avec la toile, l\u2019artiste se contacte lui-m\u00eame tactilement. Si il y est attentif, il va percevoir corporellement les qualit\u00e9s de son geste : tendu ou doux, appuy\u00e9 ou l\u00e9ger, rapide ou lent, ramass\u00e9 brutal ou d\u00e9licat d\u00e9li\u00e9, etc. Une vraie palette de modulations et de sensations apparait \u00e0 sa disposition ! La base d\u2019un \u00ab dialogue tonique* \u00bb avec lui-m\u00eame, agit et ressenti,&nbsp; articul\u00e9 par le biais de tout son corps et de sa main outill\u00e9e. En effet le peintre pourra moduler son tonus musculaire, l\u2019amplitude et le rythme de son geste en fonction de la mani\u00e8re dont il sera touch\u00e9 par ceux-ci. Ce dialogue tonique influence en direct l\u2019arri\u00e8re plan \u00e9motionnel v\u00e9cu par l\u2019artiste et l\u2019\u0153uvre en devenir.<br><br>Chaque touche nait d\u2019un acte unique, chacune est particuli\u00e8re et ne peux ressembler \u00e0 la suivante. C\u2019est ce qui diff\u00e9rencie une touche organique de celle r\u00e9p\u00e9titive de l\u2019imprimante par exemple (en m\u00e9canisant ses pratiques l\u2019humanit\u00e9 ne se m\u00e9canise-t-elle pas elle-m\u00eame ?). Par ailleurs, au del\u00e0 de l\u2019aspect relationnel de l\u2019artiste \u00e0 lui-m\u00eame, la touche picturale est la premi\u00e8re trace, le premier \u00e9l\u00e9ment constitutif du dessin et de la peinture, comme l\u2019atome est constitutif de la mol\u00e9cule, c\u2019est \u00e0 dire d\u2019une forme plus grande et signifiant peut-\u00eatre davantage. Cette trace se r\u00e9v\u00e8le communicative, jusqu\u2019\u00e0 concerner un spectateur qui sera touch\u00e9 \u00e0 son tour, et entre ainsi en r\u00e9sonance avec l\u2019artiste\u2026<br><br>Ces relations multiples n\u00e9cessitent un contact conscient, attentif avec ses outils et support pour l\u2019artiste, une bonne connaissance de ceux-ci. Enfin une attitude empathique avec l\u2019\u0153uvre pour l\u2019artiste et le spectateur.<br><br>Ainsi, l\u2019expression picturale devient touchante, comme une pr\u00e9sence, un sentiment. Pour l\u2019artiste, c\u2019est un \u00e9l\u00e9ment de dialogue actif, puisque le fait de r\u00e9ceptionner l\u2019effet pictural de son propre geste, le sollicitera peut-\u00eatre dans une nouvelle action.<br><br><em>*(cf. D. Bois \u00ab&nbsp;le moi renouvel\u00e9&nbsp;\u00bb, \u00e9ditions point d\u2019appui 2006)&nbsp;<\/em><br><br>Marc Goldstain 2020<\/p>\n","protected":false},"featured_media":1331,"template":"","class_list":["post-1330","critique","type-critique","status-publish","has-post-thumbnail","hentry","categorie_crit-peinture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>L\u2019artiste tactile ou la touche touchante - Art Interview<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artinterview.com\/en\/critique\/lartiste-tactile-ou-la-touche-touchante\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019artiste tactile ou la touche touchante - Art Interview\" \/>\n<meta property=\"og:description\" content=\"L\u2019oeil du peintre Marc Goldstain La touche du peintre\u2026 On la voit sur les tableaux accroch\u00e9s dans les mus\u00e9es, les galeries d\u2019art\u2026 Mais elle est d\u2019abord&nbsp;un acte relationnel&nbsp;qui implique le fait de \u00ab toucher \u00bb le support \u2013 toile, papier\u2026 \u2013 lorsque l\u2019artiste peint. 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