{"id":1326,"date":"2020-01-31T14:54:02","date_gmt":"2020-01-31T13:54:02","guid":{"rendered":"http:\/\/artinterview.bai-bao.fr\/?post_type=critique&p=1326"},"modified":"2022-12-31T13:05:15","modified_gmt":"2022-12-31T12:05:15","slug":"visite-dun-peintre-a-lexposition-le-greco-au-grand-palais","status":"publish","type":"critique","link":"https:\/\/artinterview.com\/en\/critique\/visite-dun-peintre-a-lexposition-le-greco-au-grand-palais\/","title":{"rendered":"Visite d\u2019un peintre \u00e0 l\u2019exposition \u00ab Le Greco \u00bb au Grand Palais"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

L\u2019oeil du peintre Marc Goldstain<\/strong><\/em>

Rendre visite au Greco \u00e0 l\u2019exposition du grand palais, c\u2019est rencontrer un artiste universel et atypique, \u00ab irr\u00e9gulier \u00bb comme dirait Renoir.

En regardant la peinture sous l\u2019angle de la touche, de la mati\u00e8re picturale on peu faire des parall\u00e8les amusants et instructifs\u2026Le Greco voyage dans le temps, traverse les \u00e9poques\u2026

Pourtant sa peinture est troublante, contrast\u00e9e, \u00e9trange. Il associe des paysages arides, des figures religieuses ou politiques et une curieuse sensualit\u00e9 de la chair. Les corps souvent terreux se dissolvent, s\u2019\u00e9tirent; ils se consument dans leurs drap\u00e9s aux couleurs inflammables!

On le sait, Delacroix, Manet appr\u00e9ciaient  le Cr\u00e9tois, et puis C\u00e9zanne v\u00e9ritable \u00ab fr\u00eare du Greco \u00bb selon Franz Marc. Il peint \u00ab \u00e0 la touche \u00bb, Comme ces artistes le feront plus tard,  touche bien visible m\u00eame dans ses glacis\u2026

Quand on regarde ses corps qui semblent se dissoudre dans l\u2019espace, ses t\u00eates r\u00e9tr\u00e9cir, l\u2019esprit d\u2019Alberto Giacometti semble d\u00e9j\u00e0 souffler\u2026 On sait aussi que Picasso a \u00e9t\u00e9 durablement marqu\u00e9 par \u00abl\u2019ouverture du 5e sceau\u00bb. Cette peinture tardive, hors normes, montre un th\u00e9\u00e2tre de corps  nus stylis\u00e9s et d\u00e9form\u00e9s aux contours tr\u00e8s marqu\u00e9s, sur un fond bouch\u00e9 d\u2019un d\u00e9cors de drap\u00e9s et de ciel tourment\u00e9. Les p\u00e9riodes roses et bleues (bien qu\u2019adoucies de roses et bleues!) du ma\u00eetre espagnol s\u2019y refl\u00e8tent tr\u00e8s bien. Par un autre biais, la modernit\u00e9 du regard du Greco choque quand apparait le visage gla\u00e7ant du cardinal Fernando de Guevara, je ne peux m\u2019emp\u00eacher d\u2019y voir un de nos hommes de pouvoir. Francis Bacon ne s\u2019y \u00e9tait pas tromp\u00e9 en en faisant une relecture. D\u00e9j\u00e0 nous percute la violence de la couleur, l\u2019expressivit\u00e9 brute de la touche accentuant la virulence de l\u2019oeuvre.

D\u2019ailleurs, en scrutant de plus pr\u00e8s certains visages du Greco, on distingue une touche verticale, hach\u00e9e, lin\u00e9aire qui ne suis pas les contours du visage mais qui semble le constituer comme une souche l\u2019est de ses fibres. Dans d\u2019autres visages ce sont des formes inachev\u00e9es, rondes et souples comme embryonnaires\u2026Cette mani\u00e8re de peindre parfois incompr\u00e9hensible -une oeuvre dont on ne comprend pas la facture est le signe \u00e0 mon sens d\u2019une grande oeuvre- appelle un Cha\u00efm Soutine. Et l\u2019on peut retrouver certaines de ces touches chez le medium Francis Bacon, dans l\u2019exposition actuelle au centre Pompidou qui r\u00e9sonne avec celle du Grand palais.

Pour finir ce jeu des comparaisons,  me viens comme une \u00e9vidence celle de Gerard Garouste peintre vivant et Fran\u00e7ais \u00e0 la folie integr\u00e9e \u00e0 son \u0153uvre. \u00c0 nouveau la d\u00e9formation des corps, la technique souple et fluide, la couleur riche et aigu\u00eb en font un rameau -plus bavard- du g\u00e9nie de Tol\u00e8de.
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