{"id":13198,"date":"2025-05-20T21:12:29","date_gmt":"2025-05-20T19:12:29","guid":{"rendered":"https:\/\/artinterview.com\/?post_type=critique&#038;p=13198"},"modified":"2025-08-18T18:48:01","modified_gmt":"2025-08-18T16:48:01","slug":"maxime-kapusciak","status":"publish","type":"critique","link":"https:\/\/artinterview.com\/en\/critique\/maxime-kapusciak\/","title":{"rendered":"Conservation et Restauration d\u2019Art, entretien avec Maxime Kapusciak"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-04-1024x682.jpg\" alt=\"\" class=\"wp-image-13172\" srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-04-1024x682.jpg 1024w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-04-300x200.jpg 300w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-04-768x512.jpg 768w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-04-1536x1024.jpg 1536w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-04.jpg 1772w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Rencontre avec Maxime Kapusciak, entre \u00e9rudition et finesse, curiosit\u00e9 infinie et absolue tendresse pour les artistes et l\u2019Histoire de l\u2019Art. Un \u00e9change empli de g\u00e9n\u00e9rosit\u00e9 et de d\u00e9licatesse o\u00f9 sont \u00e9voqu\u00e9s la passion de vivre son m\u00e9tier mais aussi le chantier de Notre-Dame de Paris au coeur d\u2019un parcours professionnel fait d&#8217;exigence et de rencontres. Un moment hors du temps au Mus\u00e9e du Louvre \u00e0 la d\u00e9couverte d\u2019une vocation, celle d\u2019une vie d\u00e9di\u00e9e \u00e0 l\u2019Art, \u00e0 sa transmission et \u00e0 sa p\u00e9rennisation.<\/strong><\/p>\n\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">Conservation-Restauration d\u2019Art, quel a \u00e9t\u00e9 le d\u00e9clic ? Votre parcours ?<\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">C\u2019est venu \u00e0 moi \u00e0 la fois progressivement et en m\u00eame temps j\u2019ai su rapidement que je voulais faire de la restauration. Je devais avoir 13 ou 14 ans. En voyage, mes parents aimaient visiter des r\u00e9gions toujours tr\u00e8s diff\u00e9rentes. Et contrairement \u00e0 mes camarades de classe, je n\u2019allais pas \u00e0 la plage ou \u00e0 la montagne mais je visitais des villes, des mus\u00e9es, des ch\u00e2teaux&#8230; Je me plongeais dans l\u2019Histoire et dans ces espaces, ces volumes somptueux. L\u2019Art provoque cette curiosit\u00e9 et cette envie.<\/span><\/p>\n<\/div>\n<\/div>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">Et les \u00e9tudes ont suivi ? <\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">Oui, je suis all\u00e9 en Belgique. J\u2019ai \u00e9t\u00e9 \u00e0 l\u2019\u00c9cole Nationale Sup\u00e9rieure des Arts Visuels de La Cambre \u00e0 Bruxelles o\u00f9 j\u2019ai approch\u00e9 la peinture sur bois et la peinture flamande. J\u2019ai appris \u00e9norm\u00e9ment sur l\u2019Histoire du plat pays et des Pays-Bas m\u00e9ridionaux.<\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<script>\n  $( document ).ready(function() {\n  var pathDirections = {\n  view: 'M155.5,50l-50-50l-5,5l45,45l-45,45l5,5L155.5,50z M0,50l50,50l5-5L10,50L55,5l-5-5L0,50z',\n  exit: 'M55,50L5,0L0,5l45,45L0,95l5,5L55,50z M100.5,50l50,50l5-5l-45-45l45-45l-5-5L100.5,50z',\n};\n\nvar svgURI = 'http:\/\/www.w3.org\/2000\/svg';\n\nFlickity.FullscreenButton.prototype.createIcon = function() {\n  var svg = document.createElementNS( svgURI, 'svg');\n  svg.setAttribute( 'class', 'flickity-button-icon' );\n  svg.setAttribute( 'viewBox', '0 0 155.5 100' );\n  \/\/ path & direction\n  var path = document.createElementNS( svgURI, 'path');\n  var direction = pathDirections[ this.name ];\n  path.setAttribute( 'd', direction );\n  \/\/ put it together\n  svg.appendChild( path );\n  this.element.appendChild( svg );\n};\n});\n<\/script>\n\n\n\n<div class=\"mb-3\">\n<div class=\"carousel carousel-main invisible  carnum1498036549\" data-flickity='{\"lazyLoad\": 1, \"adaptiveHeight\": true, \"fullscreen\": true, \"imagesLoaded\": true, \"pageDots\": false,\"wrapAround\": true,\"arrowShape\":{\"x0\":10,\"x1\":60,\"y1\":50,\"x2\":65,\"y2\":45,\"x3\":20} }'>\n  \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-06-1024x682.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-06-300x200.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-06-1024x682.jpg\" alt=\"\" \/>\n\n                <\/figure>\n      <\/div>\n    <\/div>\n    \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-09-1024x682.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-09-300x200.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-09-1024x682.jpg\" alt=\"\" \/>\n\n                <\/figure>\n      <\/div>\n    <\/div>\n    <\/div>\n\n<div class=\"carousel carousel-nav\"\n  data-flickity='{ \"imagesLoaded\": true,\"lazyLoad\": true, \"asNavFor\": \".carnum1498036549\", \"contain\": true, \"pageDots\": false, \"prevNextButtons\": false }'>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-06-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-06-150x150.jpg\" alt=\"Thumbnail of \" \/>\n        <\/figure>\n      <\/div>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-09-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-09-150x150.jpg\" alt=\"Thumbnail of \" \/>\n        <\/figure>\n      <\/div>\n        <\/div>\n<\/div>\n<style>\n  .invisible.flickity-enabled {visibility: visible !important}\n  <\/style>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">Vous dessinez vous-m\u00eame ? <\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">Cela m\u2019arrive, mon m\u00e9tier et ma passion restent la conservation, la restauration. Je m&#8217;y consacre pleinement. <\/span><\/p>\n<\/div>\n<\/div>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">Vous m\u2019\u00e9voquiez une intervention sur une oeuvre de Johannes Vermeer r\u00e9cemment \u00e0 Lille ?<\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">Ce sont des interventions limit\u00e9es. Comme r\u00e9cemment pour <i>la Vierge et l\u2019Enfant<\/i> de Sandro Botticelli en pr\u00e9vision de l\u2019exposition <i>Revoir Cimabue<\/i> pr\u00e9sent\u00e9e au Louvre. Sur les oeuvres de cette \u00e9poque, on privil\u00e9gie davantage le contr\u00f4le sanitaire et le contr\u00f4le structurel de l\u2019oeuvre. S\u2019assurer aussi des syst\u00e8mes d\u2019accrochage, du calage, du maintien de l\u2019oeuvre dans son cadre. Parfois sur les oeuvres du XVII\u00e8me, il faut revoir certains syst\u00e8mes. C\u2019est un privil\u00e8ge. Des moments hors du temps.<\/span><\/p>\n<\/div>\n<\/div>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">Que ressent-on face \u00e0 de telles oeuvres et face au travail de tels artistes ? <\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">L\u2019\u00e9motion est toujours au rendez-vous. Mais aussi la responsabilit\u00e9. Je dirais \u00e0 titre personnel que c\u2019est le fait de s\u2019approprier l\u2019histoire de l\u2019oeuvre et l\u2019Histoire au sens plus contextuel qui procure aussi une vaste palette d\u2019\u00e9motions. Plonger dans l\u2019Histoire est un privil\u00e8ge. Au del\u00e0 de l\u2019\u00e9tat mat\u00e9riel de l\u2019oeuvre, c\u2019est d\u2019abord apprendre du contexte historique de l\u2019oeuvre et des choix de l\u2019artiste qui est stimulant. Ensuite, il s\u2019agit d\u2019obtenir suffisamment d\u2019informations sur un peintre m\u00eame reconnu. S\u2019il semble facile d\u2019en obtenir, en r\u00e9alit\u00e9 il est possible de se perdre, car il y a \u00e9norm\u00e9ment de vrai et de faux issus d\u2019un imaginaire collectif qui a pu s\u2019\u00e9garer. Dans cette investigation qu\u2019il faut mener, il y a \u00e9norm\u00e9ment de tri \u00e0 faire au d\u00e9part. Notamment sur cet aspect informationnel et historique.<\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<script>\n  $( document ).ready(function() {\n  var pathDirections = {\n  view: 'M155.5,50l-50-50l-5,5l45,45l-45,45l5,5L155.5,50z M0,50l50,50l5-5L10,50L55,5l-5-5L0,50z',\n  exit: 'M55,50L5,0L0,5l45,45L0,95l5,5L55,50z M100.5,50l50,50l5-5l-45-45l45-45l-5-5L100.5,50z',\n};\n\nvar svgURI = 'http:\/\/www.w3.org\/2000\/svg';\n\nFlickity.FullscreenButton.prototype.createIcon = function() {\n  var svg = document.createElementNS( svgURI, 'svg');\n  svg.setAttribute( 'class', 'flickity-button-icon' );\n  svg.setAttribute( 'viewBox', '0 0 155.5 100' );\n  \/\/ path & direction\n  var path = document.createElementNS( svgURI, 'path');\n  var direction = pathDirections[ this.name ];\n  path.setAttribute( 'd', direction );\n  \/\/ put it together\n  svg.appendChild( path );\n  this.element.appendChild( svg );\n};\n});\n<\/script>\n\n\n\n<div class=\"mb-3\">\n<div class=\"carousel carousel-main invisible  carnum736261601\" data-flickity='{\"lazyLoad\": 1, \"adaptiveHeight\": true, \"fullscreen\": true, \"imagesLoaded\": true, \"pageDots\": false,\"wrapAround\": true,\"arrowShape\":{\"x0\":10,\"x1\":60,\"y1\":50,\"x2\":65,\"y2\":45,\"x3\":20} }'>\n  \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-02-1024x682.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-02-300x200.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-02-1024x682.jpg\" alt=\"\" \/>\n\n                <\/figure>\n      <\/div>\n    <\/div>\n    \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-08-1024x682.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-08-300x200.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-08-1024x682.jpg\" alt=\"\" \/>\n\n                <\/figure>\n      <\/div>\n    <\/div>\n    <\/div>\n\n<div class=\"carousel carousel-nav\"\n  data-flickity='{ \"imagesLoaded\": true,\"lazyLoad\": true, \"asNavFor\": \".carnum736261601\", \"contain\": true, \"pageDots\": false, \"prevNextButtons\": false }'>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-02-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-02-150x150.jpg\" alt=\"Thumbnail of \" \/>\n        <\/figure>\n      <\/div>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-08-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-08-150x150.jpg\" alt=\"Thumbnail of \" \/>\n        <\/figure>\n      <\/div>\n        <\/div>\n<\/div>\n<style>\n  .invisible.flickity-enabled {visibility: visible !important}\n  <\/style>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">Nous sommes d\u2019ailleurs devant <em>l\u2019Astronome<\/em> de Vermeer, ici, au Louvre&#8230; <\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">Johannes Vermeer a c\u00f4toy\u00e9 \u00e9norm\u00e9ment d\u2019artistes que nous pouvons contempler dans cette salle, dont G\u00e9rard Dou par exemple, qui \u00e9tait tout aussi important et c\u00e9l\u00e8bre \u00e0 l\u2019\u00e9poque, un peu moins aujourd\u2019hui pour le grand public. Ces peintres \u00e9taient tr\u00e8s prolifiques alors que Johannes Vermeer n\u2019a, aujourd\u2019hui, que 36 oeuvres attribu\u00e9es et r\u00e9pertori\u00e9es dans le monde pour une production, de son vivant, ne d\u00e9passant pas 60 tableaux. En s\u2019int\u00e9ressant au contexte et au personnage, on d\u00e9couvre qu\u2019il \u00e9tait catholique dans un monde protestant, ce qui est atypique. On pense qu\u2019il s\u2019est converti suite au mariage avec sa femme dont il re\u00e7u une importante dot. Il a v\u00e9cu de mani\u00e8re assez sereine avec ce patrimoine et cette dot qui a augment\u00e9 \u00e0 trois reprises au fil des ann\u00e9es dans la part de l\u2019h\u00e9ritage gr\u00e2ce \u00e0 la m\u00e8re de son \u00e9pouse, qui vivait aux c\u00f4t\u00e9s du couple. Cette information est d\u00e9j\u00e0 int\u00e9ressante en elle-m\u00eame pour appr\u00e9hender sa d\u00e9marche et le contexte.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">D\u2019autant que cet aspect atypique de l\u2019artiste est confirm\u00e9 par un autre aspect : Johannes Vermeer aime susciter dans ses oeuvres l\u2019interrogation. G\u00e9rard Dou a par exemple inspir\u00e9 Johannes Vermeer pour son astronome, seulement Johannes Vermeer ne le repr\u00e9sente pas de nuit contemplant la voute c\u00e9leste, il le repr\u00e9sente de jour. C\u2019est un contre-pied novateur. Jamais on aurait repr\u00e9sent\u00e9 un astronome en plein jour. Ce que Johannes Vermeer veut transmettre c\u2019est l\u2019id\u00e9e que la connaissance de l\u2019humanit\u00e9 est dor\u00e9navant telle qu\u2019il est possible d\u2019\u00e9tudier les \u00e9toiles en plein jour. <\/span><\/p>\n<\/div>\n<\/div>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">Cette lumi\u00e8re qui \u00e9mane de la fen\u00eatre, de cette fameuse fen\u00eatre que l\u2019on retrouve dans d\u2019autres oeuvres de l&#8217;artiste ? <\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">Cette lumi\u00e8re qui vient de gauche est typique de son atelier. L\u2019atelier qui prend plusieurs aspects selon le th\u00e8me travaill\u00e9. Johannes Vermeer a \u00e9t\u00e9 inspir\u00e9 par d\u2019autres sur cet aspect mais c\u2019est ce qui fait aussi sa sp\u00e9cificit\u00e9, le choix de ce cadrage. En tant que peintre, Vermeer \u00e9tait surtout rare, son activit\u00e9 principale \u00e9tait celle d\u2019un marchand d\u2019art. <\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<script>\n  $( document ).ready(function() {\n  var pathDirections = {\n  view: 'M155.5,50l-50-50l-5,5l45,45l-45,45l5,5L155.5,50z M0,50l50,50l5-5L10,50L55,5l-5-5L0,50z',\n  exit: 'M55,50L5,0L0,5l45,45L0,95l5,5L55,50z M100.5,50l50,50l5-5l-45-45l45-45l-5-5L100.5,50z',\n};\n\nvar svgURI = 'http:\/\/www.w3.org\/2000\/svg';\n\nFlickity.FullscreenButton.prototype.createIcon = function() {\n  var svg = document.createElementNS( svgURI, 'svg');\n  svg.setAttribute( 'class', 'flickity-button-icon' );\n  svg.setAttribute( 'viewBox', '0 0 155.5 100' );\n  \/\/ path & direction\n  var path = document.createElementNS( svgURI, 'path');\n  var direction = pathDirections[ this.name ];\n  path.setAttribute( 'd', direction );\n  \/\/ put it together\n  svg.appendChild( path );\n  this.element.appendChild( svg );\n};\n});\n<\/script>\n\n\n\n<div class=\"mb-3\">\n<div class=\"carousel carousel-main invisible  carnum1246819675\" data-flickity='{\"lazyLoad\": 1, \"adaptiveHeight\": true, \"fullscreen\": true, \"imagesLoaded\": true, \"pageDots\": false,\"wrapAround\": true,\"arrowShape\":{\"x0\":10,\"x1\":60,\"y1\":50,\"x2\":65,\"y2\":45,\"x3\":20} }'>\n  \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-03-1024x683.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-03-300x200.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-03-1024x683.jpg\" alt=\"\" \/>\n\n                <\/figure>\n      <\/div>\n    <\/div>\n    <\/div>\n\n<div class=\"carousel carousel-nav\"\n  data-flickity='{ \"imagesLoaded\": true,\"lazyLoad\": true, \"asNavFor\": \".carnum1246819675\", \"contain\": true, \"pageDots\": false, \"prevNextButtons\": false }'>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-03-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-03-150x150.jpg\" alt=\"Thumbnail of \" \/>\n        <\/figure>\n      <\/div>\n        <\/div>\n<\/div>\n<style>\n  .invisible.flickity-enabled {visibility: visible !important}\n  <\/style>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">\u00catre restaurateur, est-ce \u00eatre un enqu\u00eateur passionn\u00e9 ? Mener une investigation ?<\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">Assur\u00e9ment. Le m\u00e9tier demeure aussi technique. Il y a un cahier des charges techniques en amont, soit au cours d\u2019une \u00e9tude pr\u00e9alable qu\u2019il faut soi-m\u00eame effectuer, soit qui est d\u00e9j\u00e0 \u00e9tablie avec les institutions. Le dialogue est permanent aussi sur un aspect plus contextuel avec des historiens de l\u2019Art et des iconographes. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Mon m\u00e9tier rel\u00e8ve de l\u2019approche artistique et bien-s\u00fbr technique. Ce qui va exiger l\u2019intervention de scientifiques et d\u2019analyses en laboratoire. Sur l\u2019\u00e9paisseur d\u2019un vernis par exemple ou sur le compos\u00e9 chimique d\u2019une mati\u00e8re, d\u2019un pigment.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Il y a un diagnostic \u00e0 \u00e9tablir. Il faut savoir ce qu\u2019on cherche avant toute intervention avec un constat d\u2019\u00e9tat. Il s\u2019agit de faire une description, de lister l\u2019ensemble des composants et des mati\u00e8res constitutives du tableau, tous les \u00e9l\u00e9ments du support, du panneau, jusqu\u2019\u00e0 la toile et l\u2019ensemble des mati\u00e8res, des vernis, des modifications. Il peut y avoir un vieillissement naturel, des accidents, des restaurations \u00abcensur\u00e9es\u00bb ou fantaisistes selon les go\u00fbts et les \u00e9poques et cela sans qu\u2019\u00e0 l\u2019\u00e9poque il n\u2019y ait eu de volont\u00e9 de comprendre l\u2019intention premi\u00e8re du peintre. Il y a aussi des modifications stylistiques, c\u2019est encore autre chose. Notre but n\u2019est pas d\u2019effacer l\u2019Histoire. <\/span><\/p>\n<\/div>\n<\/div>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">Ce qui rappelle les mots de Cesare Brandi et sa th\u00e9orie de la restauration dans l\u2019ouvrage que vous me recommandiez ? <\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">\u00abLa restauration doit viser \u00e0 \u00e9tablir l\u2019unit\u00e9 potentielle de l\u2019oeuvre d\u2019art, \u00e0 condition que cela soit possible sans commettre un faux artistique ou un faux historique, et sans effacer la moindre trace du passage de l\u2019oeuvre d\u2019art dans le temps.\u00bb Pour reprendre les mots de Cesare Brandi. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Mon m\u00e9tier n\u2019est pas d\u2019effacer le passage du temps ou de l\u2019Histoire mais d&#8217;\u00eatre au plus pr\u00e8s d&#8217;une v\u00e9rit\u00e9 au cours de l&#8217;existence de l&#8217;oeuvre et ainsi lui permettre de perdurer autant que cela lui sera possible. Je ne vais pas forc\u00e9ment enlever une modification pass\u00e9e par exemple, si c\u2019est au risque de tomber sur quelque chose d\u2019alt\u00e9r\u00e9, cela ne servirait \u00e0 rien. <\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<script>\n  $( document ).ready(function() {\n  var pathDirections = {\n  view: 'M155.5,50l-50-50l-5,5l45,45l-45,45l5,5L155.5,50z M0,50l50,50l5-5L10,50L55,5l-5-5L0,50z',\n  exit: 'M55,50L5,0L0,5l45,45L0,95l5,5L55,50z M100.5,50l50,50l5-5l-45-45l45-45l-5-5L100.5,50z',\n};\n\nvar svgURI = 'http:\/\/www.w3.org\/2000\/svg';\n\nFlickity.FullscreenButton.prototype.createIcon = function() {\n  var svg = document.createElementNS( svgURI, 'svg');\n  svg.setAttribute( 'class', 'flickity-button-icon' );\n  svg.setAttribute( 'viewBox', '0 0 155.5 100' );\n  \/\/ path & direction\n  var path = document.createElementNS( svgURI, 'path');\n  var direction = pathDirections[ this.name ];\n  path.setAttribute( 'd', direction );\n  \/\/ put it together\n  svg.appendChild( path );\n  this.element.appendChild( svg );\n};\n});\n<\/script>\n\n\n\n<div class=\"mb-3\">\n<div class=\"carousel carousel-main invisible  carnum1791094486\" data-flickity='{\"lazyLoad\": 1, \"adaptiveHeight\": true, \"fullscreen\": true, \"imagesLoaded\": true, \"pageDots\": false,\"wrapAround\": true,\"arrowShape\":{\"x0\":10,\"x1\":60,\"y1\":50,\"x2\":65,\"y2\":45,\"x3\":20} }'>\n  \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-07-1024x682.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-07-300x200.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-07-1024x682.jpg\" alt=\"\" \/>\n\n                <\/figure>\n      <\/div>\n    <\/div>\n    <\/div>\n\n<div class=\"carousel carousel-nav\"\n  data-flickity='{ \"imagesLoaded\": true,\"lazyLoad\": true, \"asNavFor\": \".carnum1791094486\", \"contain\": true, \"pageDots\": false, \"prevNextButtons\": false }'>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-07-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-07-150x150.jpg\" alt=\"Thumbnail of \" \/>\n        <\/figure>\n      <\/div>\n        <\/div>\n<\/div>\n<style>\n  .invisible.flickity-enabled {visibility: visible !important}\n  <\/style>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">En revanche si c\u2019est pour restituer une v\u00e9rit\u00e9&#8230; <\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">Les repeints de pudeur par exemple effectu\u00e9s sur une oeuvre de Cranach repr\u00e9sentant Adam et \u00c8ve ont longtemps fait d\u00e9bat avant que les v\u00e9g\u00e9taux ajout\u00e9s \u00e0 la fin du XVIII\u00e8me soient enfin retir\u00e9s pour se rapprocher de la vision initiale du peintre.<\/span><\/p>\n<\/div>\n<\/div>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">Le d\u00e9bat existe au sein de votre profession, avant d\u2019intervenir il faut ce d\u00e9bat, quelle est la libert\u00e9 de manoeuvre d\u2019un restaurateur d\u2019art ? <\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">Avant toute intervention c\u2019est le constat d\u2019\u00e9tat qui abouti \u00e0 un diagnostic et apr\u00e8s on fait une proposition de traitement. Il peut s\u2019agir d\u2019un traitement basique, parfois de l\u2019ordre du \u00ab bichonnage \u00bb de l\u2019oeuvre. Il peut s\u2019agir d\u2019intervention de conservation pr\u00e9ventive ou curative. Comme il est possible que l\u2019intervention soit sur du fondamental \u00e0 cause d\u2019alt\u00e9rations majeures qui mettent l\u2019oeuvre en danger. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Il existe donc des dangers imm\u00e9diats o\u00f9 une restauration \u00e0 court terme et temporaire peut permettre une restauration plus importante ensuite. Les tableaux pr\u00e9sents dans les \u00e9glises subissent parfois des dommages importants souvent ignor\u00e9s et que l\u2019on d\u00e9couvre en effectuant des r\u00e9parations sur le patrimoine architectural. Il s\u2019agit alors de d\u00e9poser le tableau pour le besoin de travaux et c\u2019est \u00e0 ce moment que l\u2019on constate que l\u2019oeuvre n\u00e9cessite une intervention pour sa pr\u00e9servation. C\u2019est comme \u00e7a, parfois, que \u00e7a engage les choses.<\/span><\/p>\n<\/div>\n<\/div>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">Vous \u00eates vous-m\u00eame intervenu sur une oeuvre lors du chantier de la Cath\u00e9drale Notre-Dame de Paris&#8230; De quelle oeuvre s\u2019agissait-il ?<\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">J\u2019ai travaill\u00e9 sur une oeuvre de Jean-Baptiste Jouvenet, une toile de trente m\u00e8tres carr\u00e9s.<span class=\"Apple-converted-space\">\u00a0 <\/span>Elle \u00e9tait dans la chapelle Saint-Guillaume, elle est dor\u00e9navant dans le transept Nord. D\u00e9poser l\u2019oeuvre a permis de r\u00e9v\u00e9ler une peinture murale qui fut restaur\u00e9 par un coll\u00e8ge. La toile, elle, n\u2019est jamais sortie de Notre-Dame, il a fallu travailler<i> in situ<\/i>. Et d\u2019abord la d\u00e9poser. Ce qui fut une prouesse technique. L\u2019oeuvre n\u2019a pas subit les d\u00e9g\u00e2ts du feu mais la suie et l\u2019humidit\u00e9, les poussi\u00e8res grasses&#8230; Il s\u2019agissait d\u2019une conservation curative, il fallait l\u2019assainir et la raccrocher.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Pour cela il a fallu \u00e9tablir un protocole avec les r\u00e9gisseurs pour ce tableau de 700 kilos et le soumettre au cabinet d\u2019architecture. Nous \u00e9tions une \u00e9quipe de cinq personnes, avec \u00e0 mes c\u00f4t\u00e9s Xavier Lagarin et Aymeric Gherrak dont l\u2019aide fut pr\u00e9cieuse sur un tel chantier&#8230; <\/span><\/p>\n<\/div>\n<\/div>\n\n\n\n<script>\n  $( document ).ready(function() {\n  var pathDirections = {\n  view: 'M155.5,50l-50-50l-5,5l45,45l-45,45l5,5L155.5,50z M0,50l50,50l5-5L10,50L55,5l-5-5L0,50z',\n  exit: 'M55,50L5,0L0,5l45,45L0,95l5,5L55,50z M100.5,50l50,50l5-5l-45-45l45-45l-5-5L100.5,50z',\n};\n\nvar svgURI = 'http:\/\/www.w3.org\/2000\/svg';\n\nFlickity.FullscreenButton.prototype.createIcon = function() {\n  var svg = document.createElementNS( svgURI, 'svg');\n  svg.setAttribute( 'class', 'flickity-button-icon' );\n  svg.setAttribute( 'viewBox', '0 0 155.5 100' );\n  \/\/ path & direction\n  var path = document.createElementNS( svgURI, 'path');\n  var direction = pathDirections[ this.name ];\n  path.setAttribute( 'd', direction );\n  \/\/ put it together\n  svg.appendChild( path );\n  this.element.appendChild( svg );\n};\n});\n<\/script>\n\n\n\n<div class=\"mb-3\">\n<div class=\"carousel carousel-main invisible  carnum899748380\" data-flickity='{\"lazyLoad\": 1, \"adaptiveHeight\": true, \"fullscreen\": true, \"imagesLoaded\": true, \"pageDots\": false,\"wrapAround\": true,\"arrowShape\":{\"x0\":10,\"x1\":60,\"y1\":50,\"x2\":65,\"y2\":45,\"x3\":20} }'>\n  \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-05-1024x682.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-05-300x200.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-05-1024x682.jpg\" alt=\"\" \/>\n\n                <\/figure>\n      <\/div>\n    <\/div>\n    <\/div>\n\n<div class=\"carousel carousel-nav\"\n  data-flickity='{ \"imagesLoaded\": true,\"lazyLoad\": true, \"asNavFor\": \".carnum899748380\", \"contain\": true, \"pageDots\": false, \"prevNextButtons\": false }'>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-05-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-05-150x150.jpg\" alt=\"Thumbnail of \" \/>\n        <\/figure>\n      <\/div>\n        <\/div>\n<\/div>\n<style>\n  .invisible.flickity-enabled {visibility: visible !important}\n  <\/style>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">Un chantier colossal que cette conservation pour le chantier de Notre-Dame de Paris&#8230; Vous qui avez \u00e9tudi\u00e9 \u00e0 Bruxelles. Comment eurent lieu les premiers appels d\u2019offre et les premi\u00e8res rencontres \u00e0 votre arriv\u00e9e \u00e0 Paris ?<\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">J\u2019ai travaill\u00e9 aux c\u00f4t\u00e9s d\u2019Olivier Nouaille, sp\u00e9cialis\u00e9 dans la peinture sur toile, aujourd\u2019hui disparu. J\u2019ai rencontr\u00e9 des jeunes restaurateurs et restauratrices et j\u2019ai pu ainsi dans une vraie \u00e9mulation pu r\u00e9pondre \u00e0 de nombreux appels d\u2019offres qu\u2019il est possible de consulter sur le bulletin officiel des march\u00e9s publics. Mon premier appel d\u2019offre \u00e9tait au Mus\u00e9e de l\u2019Arm\u00e9e \u00e0 l\u2019h\u00f4tel des Invalides. J\u2019ai \u00e9t\u00e9 dipl\u00f4m\u00e9 en 2007, nous sommes alors deux ans apr\u00e8s. <\/span><\/p>\n<\/div>\n<\/div>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">Quelles oeuvres vous ont le plus \u00e9mu depuis toutes ces ann\u00e9es ? <\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">Je ne saurai r\u00e9pondre, je dirai que les oeuvres des peintres hollandais me procurent \u00e9norm\u00e9ment d\u2019\u00e9motions par leur imagination et ce qu\u2019ils apportent de novateur. J\u2019aime l\u2019imaginaire qu\u2019offre ces peintres y compris dans des natures mortes en apparence discr\u00e8tes. Il m\u2019arrive de r\u00eaver que je restaure une oeuvre mais jamais une seule en particulier et je dois avouer que toutes \u00e9veillent ma curiosit\u00e9 et mon int\u00e9r\u00eat.<\/span><\/p>\n<\/div>\n<\/div>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p class=\"p1\"><span class=\"s1\">Vous intervenez pour de prestigieuses institutions et aupr\u00e8s de grands collectionneurs, nous sommes d\u2019ailleurs aujourd\u2019hui au Louvre pour \u00e9changer&#8230; <\/span><\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p class=\"p1\"><span class=\"s1\">Intervenir sur les collections du Louvre est inestimable \u00e0 mes yeux. Les rencontres, ma sp\u00e9cialisation, tout cela permet de travailler sur les projets d\u2019institutions prestigieuses et sur des oeuvres exceptionnelles. Je rencontre aussi des collectionneurs passionn\u00e9s par leurs oeuvres<span class=\"Apple-converted-space\">\u00a0 <\/span>et des artistes de renoms, d\u2019autres qui gagneraient \u00e0 \u00eatre connus davantage du grand public, et la relation de confiance qui s\u2019instaure est un privil\u00e8ge. C\u2019est un bonheur de voir dans le regard de mes clients institutionnels ou priv\u00e9s, cette satisfaction une fois la restauration achev\u00e9e.<\/span><\/p>\n<\/div>\n<\/div>\n\n\n<p><br><\/p>\n\n\n\n\n<script>\n  $( document ).ready(function() {\n  var pathDirections = {\n  view: 'M155.5,50l-50-50l-5,5l45,45l-45,45l5,5L155.5,50z M0,50l50,50l5-5L10,50L55,5l-5-5L0,50z',\n  exit: 'M55,50L5,0L0,5l45,45L0,95l5,5L55,50z M100.5,50l50,50l5-5l-45-45l45-45l-5-5L100.5,50z',\n};\n\nvar svgURI = 'http:\/\/www.w3.org\/2000\/svg';\n\nFlickity.FullscreenButton.prototype.createIcon = function() {\n  var svg = document.createElementNS( svgURI, 'svg');\n  svg.setAttribute( 'class', 'flickity-button-icon' );\n  svg.setAttribute( 'viewBox', '0 0 155.5 100' );\n  \/\/ path & direction\n  var path = document.createElementNS( svgURI, 'path');\n  var direction = pathDirections[ this.name ];\n  path.setAttribute( 'd', direction );\n  \/\/ put it together\n  svg.appendChild( path );\n  this.element.appendChild( svg );\n};\n});\n<\/script>\n\n\n\n<div class=\"mb-3\">\n<div class=\"carousel carousel-main invisible  carnum1517906302\" data-flickity='{\"lazyLoad\": 1, \"adaptiveHeight\": true, \"fullscreen\": true, \"imagesLoaded\": true, \"pageDots\": false,\"wrapAround\": true,\"arrowShape\":{\"x0\":10,\"x1\":60,\"y1\":50,\"x2\":65,\"y2\":45,\"x3\":20} }'>\n  \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-01-1024x682.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-01-300x200.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-01-1024x682.jpg\" alt=\"\" \/>\n\n                <\/figure>\n      <\/div>\n    <\/div>\n    <\/div>\n\n<div class=\"carousel carousel-nav\"\n  data-flickity='{ \"imagesLoaded\": true,\"lazyLoad\": true, \"asNavFor\": \".carnum1517906302\", \"contain\": true, \"pageDots\": false, \"prevNextButtons\": false }'>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-01-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/\u00a9MarionBriffod-MarwanKahil-MaximeKapusciak-01-150x150.jpg\" alt=\"Thumbnail of \" \/>\n        <\/figure>\n      <\/div>\n        <\/div>\n<\/div>\n<style>\n  .invisible.flickity-enabled {visibility: visible !important}\n  <\/style>\n\n\n<p><strong>\u2014 Maxime Kapusciak en cinq dates :&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>2007 :<\/strong>  Dipl\u00f4me d\u2019\u00c9tat en conservation-restauration d\u2019oeuvres d\u2019art (sp\u00e9cialit\u00e9 peinture)<\/p>\n\n\n\n<p><strong>2009<\/strong> : Installation \u00e0 Paris et premier march\u00e9 public \u00e0 l\u2019h\u00f4tel des Invalides, Mus\u00e9e de l\u2019Arm\u00e9e.&nbsp;<\/p>\n\n\n\n<p><strong>2012<\/strong> : Premi\u00e8re intervention sur les collections du Mus\u00e9e du Louvre.&nbsp;<\/p>\n\n\n\n<p><strong>2017<\/strong> : Accord cadre pour la conservation-restauration des peintures sur bois au palais des Beaux-Arts de Lille.&nbsp;<\/p>\n\n\n\n<p><strong>2023<\/strong> : Intervention \u00e0 la Cath\u00e9drale Notre-Dame de Paris.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>\u2014 <em>Entretien r\u00e9alis\u00e9 par Marwan Kahil au Mus\u00e9e du Louvre aux c\u00f4t\u00e9s de Marion Briffod<\/em>. <br><em>Reportage photographique : \u00a9 Marion Briffod pour Art Interview.&nbsp;<\/em><\/p>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":13172,"template":"","class_list":["post-13198","critique","type-critique","status-publish","has-post-thumbnail","hentry","categorie_crit-peinture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Conservation et Restauration d\u2019Art, entretien avec Maxime Kapusciak - Art Interview<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artinterview.com\/en\/critique\/maxime-kapusciak\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Conservation et Restauration d\u2019Art, entretien avec Maxime Kapusciak - Art Interview\" \/>\n<meta property=\"og:description\" content=\"Rencontre avec Maxime Kapusciak, entre \u00e9rudition et finesse, curiosit\u00e9 infinie et absolue tendresse pour les artistes et l\u2019Histoire de l\u2019Art. 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