{"id":13160,"date":"2025-04-29T20:52:51","date_gmt":"2025-04-29T18:52:51","guid":{"rendered":"https:\/\/artinterview.com\/?post_type=critique&#038;p=13160"},"modified":"2025-08-25T14:01:22","modified_gmt":"2025-08-25T12:01:22","slug":"nathalie-decoster","status":"publish","type":"critique","link":"https:\/\/artinterview.com\/en\/critique\/nathalie-decoster\/","title":{"rendered":"Nathalie Decoster"},"content":{"rendered":"\n<p class=\"has-text-align-center bures\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><br><em>L\u00e9viathan Thot<\/em> d\u2019Ernesto Neto<br><\/h3>\n\n\n\n<p class=\"has-text-align-center bgred\">\u00c0 la rencontre d\u2019une personnalit\u00e9 du monde de l\u2019art et de la culture, nous avons pos\u00e9 une question simple\u00a0:<br>quelle \u0153uvre vous a marqu\u00e9\u00a0et compte dans votre vie et votre parcours\u00a0?<br>Retour sur la fascination, l\u2019\u00e9merveillement, le trouble ou le choc suscit\u00e9s par une \u0153uvre d\u2019art\u2026<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/04\/image-3-ecran-ld-1024x682.jpg\" alt=\"\" class=\"wp-image-13162\" srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/04\/image-3-ecran-ld-1024x682.jpg 1024w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/04\/image-3-ecran-ld-300x200.jpg 300w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/04\/image-3-ecran-ld-768x511.jpg 768w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/04\/image-3-ecran-ld.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ernesto Neto, L\u00e9viathan Thot. Panth\u00e9on, Paris. 2006. Source : CNAP, Festival d&#8217;Automne \u00e0 Paris, photo : Marc Domage,  \u00a9 Ernesto Neto.\n<\/figcaption><\/figure>\n\n\n<div class=\"blockauteur\">\n    <p class=\"mt-3\"  itemprop=\"author\" itemtype=\"http:\/\/schema.org\/Person\">Par Fanny Revault<\/p>\n<\/div>\n\n\n<p><strong>Nathalie Decoster, artiste sculptrice,&nbsp;fut \u00e9merveill\u00e9e en d\u00e9couvrant une installation monumentale con\u00e7ue par l\u2019artiste br\u00e9silien Ernesto Neto pour le Panth\u00e9on en 2006 : L\u00e9viathan Thot, une cr\u00e9ature \u00e9tonnante faite de voiles de lycra suspendue sous la coupole d\u2019un des monuments les plus charg\u00e9s d\u2019histoire de la R\u00e9publique.&nbsp;Marqu\u00e9e par cette \u0153uvre anthropomorphique, Nathalie Decoster ne cessera de suivre le travail de l\u2019artiste br\u00e9silien. Comme Ernesto Neto, elle r\u00e9alise des \u0153uvres monumentales investissant dans les lieux public autour d\u2019un th\u00e8me : la condition humaine. Rencontre.<\/strong><br><\/p>\n\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p>Quel est l\u2019artiste dont l\u2019\u0153uvre vous a particuli\u00e8rement touch\u00e9e\u00a0?<\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p>Mon plus gros coup de c\u0153ur, c\u2019est lorsque j\u2019ai vu au Panth\u00e9on une installation d&#8217;un artiste br\u00e9silien, Ernesto Neto. L\u2019\u0153uvre, <i>Le Leviathan Thot<\/i>, pr\u00e9sentait des suspensions monumentales qui ressemblaient \u00e0 des gouttes, en bas tr\u00e8s \u00e9lastique, dans lequel il avait int\u00e9gr\u00e9 du sable et des mati\u00e8res organiques. Le rendu \u00e9tait ph\u00e9nom\u00e9nal\u00a0! Ces gigantesques installations bougeaient, planaient\u2026 Cela cr\u00e9ait une \u00e9motion \u00e0 la fois sensuelle, sereine, totalement instinctive. C\u2019\u00e9tait absolument incroyable. Il n&#8217;y avait pas besoin d&#8217;un mode d&#8217;emploi pour la comprendre. Moi qui suis toujours tr\u00e8s sensible aux \u0153uvres instinctives, \u00e9motionnelles, ou qui me font rire, j\u2019ai eu le sentiment de revenir en enfance.<\/p>\n<p>Cette \u0153uvre d\u2019Ernesto Neto a un c\u00f4t\u00e9 organique. Le spectateur fait partie de l&#8217;\u0153uvre\u00a0: on rentre dans l&#8217;\u0153uvre, on est en contact direct avec elle. C&#8217;est une immersion totale qui m\u2019a absolument \u00e9merveill\u00e9e, et m\u2019a pouss\u00e9e \u00e0 m\u2019int\u00e9resser \u00e0 cet artiste. Depuis plus de quinze ans, j&#8217;\u00e9tais fascin\u00e9e par cet artiste consacr\u00e9 qui expose partout dans le monde.<\/p>\n<\/div>\n<\/div>\n\n\n\n<script>\n  $( document ).ready(function() {\n  var pathDirections = {\n  view: 'M155.5,50l-50-50l-5,5l45,45l-45,45l5,5L155.5,50z M0,50l50,50l5-5L10,50L55,5l-5-5L0,50z',\n  exit: 'M55,50L5,0L0,5l45,45L0,95l5,5L55,50z M100.5,50l50,50l5-5l-45-45l45-45l-5-5L100.5,50z',\n};\n\nvar svgURI = 'http:\/\/www.w3.org\/2000\/svg';\n\nFlickity.FullscreenButton.prototype.createIcon = function() {\n  var svg = document.createElementNS( svgURI, 'svg');\n  svg.setAttribute( 'class', 'flickity-button-icon' );\n  svg.setAttribute( 'viewBox', '0 0 155.5 100' );\n  \/\/ path & direction\n  var path = document.createElementNS( svgURI, 'path');\n  var direction = pathDirections[ this.name ];\n  path.setAttribute( 'd', direction );\n  \/\/ put it together\n  svg.appendChild( path );\n  this.element.appendChild( svg );\n};\n});\n<\/script>\n\n\n\n<div class=\"mb-3\">\n<div class=\"carousel carousel-main invisible  carnum1429649131\" data-flickity='{\"lazyLoad\": 1, \"adaptiveHeight\": true, \"fullscreen\": true, \"imagesLoaded\": true, \"pageDots\": false,\"wrapAround\": true,\"arrowShape\":{\"x0\":10,\"x1\":60,\"y1\":50,\"x2\":65,\"y2\":45,\"x3\":20} }'>\n  \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-3-ecran-bandeau.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-3-ecran-bandeau-300x154.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-3-ecran-bandeau.jpg\" alt=\"Ernesto Neto, L\u00e9viathan Thot. Panth\u00e9on, Paris. 2006. Source : CNAP, Festival d&#039;Automne \u00e0 Paris, photo : Marc Domage,  \u00a9 Ernesto Neto.\" \/>\n\n        <figcaption><p class=\"caption\">Ernesto Neto, L\u00e9viathan Thot. Panth\u00e9on, Paris. 2006. Source : CNAP, Festival d&#8217;Automne \u00e0 Paris, photo : Marc Domage,  \u00a9 Ernesto Neto.<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/neto-leviathan-thot-01.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/neto-leviathan-thot-01-300x199.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/neto-leviathan-thot-01.jpg\" alt=\"Ernesto Neto, L\u00e9viathan Thot. Panth\u00e9on, Paris. 2006. Source : CNAP, Festival d&#039;Automne \u00e0 Paris, photo : Marc Domage,  \u00a9 Ernesto Neto.\" \/>\n\n        <figcaption><p class=\"caption\">Ernesto Neto, L\u00e9viathan Thot. Panth\u00e9on, Paris. 2006. Source : CNAP, Festival d&#8217;Automne \u00e0 Paris, photo : Marc Domage,  \u00a9 Ernesto Neto.<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-2-1024x767.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-2-300x225.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-2-1024x767.jpg\" alt=\"Screenshot\" \/>\n\n        <figcaption><p class=\"caption\">Screenshot<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-3-ecran-1024x593.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-3-ecran-300x174.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-3-ecran-1024x593.jpg\" alt=\"Ernesto Neto, L\u00e9viathan Thot. Panth\u00e9on, Paris. 2006. Source : CNAP, Festival d&#039;Automne \u00e0 Paris, photo : Marc Domage,  \u00a9 Ernesto Neto.\" \/>\n\n        <figcaption><p class=\"caption\">Ernesto Neto, L\u00e9viathan Thot. Panth\u00e9on, Paris. 2006. Source : CNAP, Festival d&#8217;Automne \u00e0 Paris, photo : Marc Domage,  \u00a9 Ernesto Neto.<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    <\/div>\n\n<div class=\"carousel carousel-nav\"\n  data-flickity='{ \"imagesLoaded\": true,\"lazyLoad\": true, \"asNavFor\": \".carnum1429649131\", \"contain\": true, \"pageDots\": false, \"prevNextButtons\": false }'>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-3-ecran-bandeau-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-3-ecran-bandeau-150x150.jpg\" alt=\"Thumbnail of \" \/>\n        <\/figure>\n      <\/div>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/neto-leviathan-thot-01-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/neto-leviathan-thot-01-150x150.jpg\" alt=\"Thumbnail of \" \/>\n        <\/figure>\n      <\/div>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-2-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-2-150x150.jpg\" alt=\"Thumbnail of http:\/\/Screenshot\" \/>\n        <\/figure>\n      <\/div>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-3-ecran-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/image-3-ecran-150x150.jpg\" alt=\"Thumbnail of \" \/>\n        <\/figure>\n      <\/div>\n        <\/div>\n<\/div>\n<style>\n  .invisible.flickity-enabled {visibility: visible !important}\n  <\/style>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p>Qu\u2019avez-vous d\u00e9couvert en rencontrant Ernesto Neto et en explorant davantage son univers artistique ?<\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p>J\u2019ai d\u00e9couvert d\u2019autres \u0153uvres de lui comme par exemple une installation faite de tubes en crochets dans lesquels on peut se promener, cela ressemblait un peu \u00e0 l&#8217;int\u00e9rieur du corps humain, \u00e0 des veines o\u00f9 le sang circule. J\u2019en ai fait l&#8217;exp\u00e9rience dans son atelier\u00a0: on est suspendu, on est assez maladroit, c&#8217;est tr\u00e8s amusant. C&#8217;est un artiste tr\u00e8s attentif aux enfants, il fait pour eux des animations. Je trouve que ses clins d&#8217;\u0153il sont tr\u00e8s po\u00e9tiques et ses installations sont toujours suspendues.<\/p>\n<p>C&#8217;est vraiment un artiste qui me transporte, je trouve son travail tr\u00e8s organique, mouvant, ici, ces sortes de grandes gouttes flexibles\u2026 c\u2019est de la vie. Parfois m\u00eame, il int\u00e8gre des \u00e9pices qui diffusent des parfums \u00e0 travers ses installations, dans lesquelles le spectateur peut d\u00e9ambuler. C\u2019est un v\u00e9ritable cadeau de s\u00e9r\u00e9nit\u00e9 qui fait beaucoup de bien.<\/p>\n<p>En 2010, je suis partie investir un mus\u00e9e pour exposer \u00e0 S\u00e3o Paulo. Bien \u00e9videmment, j\u2019ai profit\u00e9 d&#8217;\u00eatre au Br\u00e9sil pour en apprendre plus sur Ernesto Neto, et j&#8217;ai eu la chance, il y a deux ou trois ans, d\u2019aller dans son atelier \u00e0 Rio. Notre complicit\u00e9 a \u00e9t\u00e9 imm\u00e9diate\u00a0! On a beaucoup ri, chant\u00e9 et dans\u00e9\u2026<\/p>\n<\/div>\n<\/div>\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"504\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-04-21-a-14.47.17.jpg\" alt=\"\" class=\"wp-image-13253\" srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-04-21-a-14.47.17.jpg 800w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-04-21-a-14.47.17-300x189.jpg 300w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-04-21-a-14.47.17-768x484.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Ernesto Neto, SunForceOceanLife \u00a9 Ernesto Neto<\/figcaption><\/figure>\n\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p>Votre travail de sculptrice vous am\u00e8ne aussi \u00e0 investir des lieux o\u00f9 l&#8217;espace environnant joue un r\u00f4le important. Quels liens \u00e9tablissez-vous entre votre propre travail et celui d\u2019Ernesto Neto ?<\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p>Il y a une chose que j&#8217;ai en commun avec Ernesto, c&#8217;est que je fais, entre autres, des \u0153uvres monumentales de 8 ou 9 m\u00e8tres dans des lieux publics (jardins publics, ronds-points) parce que je travaille sur l\u2019humain. Je fais aussi des \u0153uvres pour l&#8217;int\u00e9rieur, donc je fais des \u0153uvres infiniment petites et infiniment grandes.<br \/>\nDans mon travail, il y a toujours un personnage dans des formes g\u00e9om\u00e9triques qui d\u00e9livrent un message sur la condition humaine, mais aussi un rappel \u00e0 l&#8217;ordre, nous rappelant qu\u2019il ne faut pas oublier de s\u2019amuser, de l\u00e2cher prise, de retrouver de la s\u00e9r\u00e9nit\u00e9 dans notre relation au temps. Il faut \u00eatre acteur et ne pas toujours subir le temps.<\/p>\n<p>J&#8217;ai par exemple r\u00e9alis\u00e9 une sculpture qui s&#8217;appelle <em>Espace-temps<\/em>, o\u00f9 les gens jouent avec le temps. Ils jouent avec le temps pour s\u00e9duire, pour n\u00e9gocier, pour construire, et j&#8217;invite vraiment les gens \u00e0 jouer avec ces \u0153uvres\u00a0! J&#8217;ai m\u00eame install\u00e9 des petits QR codes disant : <i>Amusez-vous et identifiez-vous \u00e0 ces personnages<\/i>. C\u2019est l\u00e0 toute ma symbolique\u00a0: le temps passe, l&#8217;homme avance vers la sagesse. On s\u2019angoisse avec les ann\u00e9es, pourtant on peut aussi apprendre \u00e0 prendre du recul et \u00e0 gagner en s\u00e9r\u00e9nit\u00e9.<\/p>\n<\/div>\n<\/div>\n\n<div class=\"intBlockQR\">\n    <div class=\"intBlockQR__Q\"><p>Vous portez un regard sensible sur la condition humaine&#8230; sur son rapport au temps et \u00e0 l&#8217;espace.<\/p>\n<\/div>\n    <div class=\"intBlockQR__R\"><p>Le rapport de l\u2019\u00eatre humain \u00e0 l\u2019immensit\u00e9 de l\u2019univers, dans toute notre fragilit\u00e9, \u00e9voque celui de l\u2019infiniment petit inscrit dans des structures infiniment vastes. Le cercle, le carr\u00e9, le cube, ou encore les \u00e9l\u00e9vations verticales vers le ciel traduisent symboliquement cette vuln\u00e9rabilit\u00e9. J\u2019ai notamment r\u00e9alis\u00e9 un culbuto, un objet qui renvoie \u00e0 l\u2019enfance. Il oscille, vacille, et pourtant, le personnage, bien plus grand que le cercle sur lequel il repose, parvient toujours \u00e0 retrouver son \u00e9quilibre, debout.<\/p>\n<p>Cela refl\u00e8te notre condition : en apparence fragiles, nous sommes aussi r\u00e9silients. Et au fond, nous sommes capables de soulever des montagnes. C\u2019est, en somme, une mani\u00e8re de parler de la nature humaine. Voil\u00e0 mon approche de l&#8217;\u00eatre humain\u2026<\/p>\n<\/div>\n<\/div>\n\n\n\n<script>\n  $( document ).ready(function() {\n  var pathDirections = {\n  view: 'M155.5,50l-50-50l-5,5l45,45l-45,45l5,5L155.5,50z M0,50l50,50l5-5L10,50L55,5l-5-5L0,50z',\n  exit: 'M55,50L5,0L0,5l45,45L0,95l5,5L55,50z M100.5,50l50,50l5-5l-45-45l45-45l-5-5L100.5,50z',\n};\n\nvar svgURI = 'http:\/\/www.w3.org\/2000\/svg';\n\nFlickity.FullscreenButton.prototype.createIcon = function() {\n  var svg = document.createElementNS( svgURI, 'svg');\n  svg.setAttribute( 'class', 'flickity-button-icon' );\n  svg.setAttribute( 'viewBox', '0 0 155.5 100' );\n  \/\/ path & direction\n  var path = document.createElementNS( svgURI, 'path');\n  var direction = pathDirections[ this.name ];\n  path.setAttribute( 'd', direction );\n  \/\/ put it together\n  svg.appendChild( path );\n  this.element.appendChild( svg );\n};\n});\n<\/script>\n\n\n\n<div class=\"mb-3\">\n<div class=\"carousel carousel-main invisible  carnum1597881968\" data-flickity='{\"lazyLoad\": 1, \"adaptiveHeight\": true, \"fullscreen\": true, \"imagesLoaded\": true, \"pageDots\": false,\"wrapAround\": true,\"arrowShape\":{\"x0\":10,\"x1\":60,\"y1\":50,\"x2\":65,\"y2\":45,\"x3\":20} }'>\n  \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/Villa-Lario2.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/Villa-Lario2-300x207.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/Villa-Lario2.jpg\" alt=\"Nathalie Decoster, Le Temps qui passe, \u00a9 Nathalie Decoster\" \/>\n\n        <figcaption><p class=\"caption\">Nathalie Decoster, Le Temps qui passe, \u00a9 Nathalie Decoster<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/4E7DD4E7-62B4-4FF8-BA41-25B6C9FF3628.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/4E7DD4E7-62B4-4FF8-BA41-25B6C9FF3628-300x225.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/4E7DD4E7-62B4-4FF8-BA41-25B6C9FF3628.jpg\" alt=\"Nathalie Decoster, Le Temps qui passe, Rencontre dans le Temps, Nathalie Decoster\n\" \/>\n\n        <figcaption><p class=\"caption\">Nathalie Decoster, Le Temps qui passe, Rencontre dans le Temps, Nathalie Decoster\n<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/A63C6A8A-4AEF-406D-83BD-BD3094704A19.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/A63C6A8A-4AEF-406D-83BD-BD3094704A19-300x204.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/A63C6A8A-4AEF-406D-83BD-BD3094704A19.jpg\" alt=\"Nathalie Decoster, Frailty Cube,\u00a9 Nathalie Decoster\" \/>\n\n        <figcaption><p class=\"caption\">Nathalie Decoster, Frailty Cube,\u00a9 Nathalie Decoster<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    \n    <div class=\"carousel-cell is-hidden\">\n      <div>\n      \t<figure>\n        <img itemprop=\"image\"   data-flickity-lazyload-srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/IMG_1802-1024x688.jpg 720w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/IMG_1802-300x202.jpg 360w\"  sizes=\"(min-width: 1024px) 720px, 360px\"  data-flickity-lazyload-src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/IMG_1802-1024x688.jpg\" alt=\"Nathalie Decoster, Espace-Temps, \u00a9 Nathalie Decoster\" \/>\n\n        <figcaption><p class=\"caption\">Nathalie Decoster, Espace-Temps, \u00a9 Nathalie Decoster<\/p><\/figcaption>        <\/figure>\n      <\/div>\n    <\/div>\n    <\/div>\n\n<div class=\"carousel carousel-nav\"\n  data-flickity='{ \"imagesLoaded\": true,\"lazyLoad\": true, \"asNavFor\": \".carnum1597881968\", \"contain\": true, \"pageDots\": false, \"prevNextButtons\": false }'>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/Villa-Lario2-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/Villa-Lario2-150x150.jpg\" alt=\"Thumbnail of http:\/\/Nathalie%20Decoster,%20Le%20Temps%20qui%20passe,%20\u00a9%20Nathalie%20Decoster\" \/>\n        <\/figure>\n      <\/div>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/4E7DD4E7-62B4-4FF8-BA41-25B6C9FF3628-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/4E7DD4E7-62B4-4FF8-BA41-25B6C9FF3628-150x150.jpg\" alt=\"Thumbnail of http:\/\/Nathalie%20Decoster,%20Le%20Temps%20qui%20passe,%20Rencontre%20dans%20le%20Temps,%20Nathalie%20Decoster\" \/>\n        <\/figure>\n      <\/div>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/A63C6A8A-4AEF-406D-83BD-BD3094704A19-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/A63C6A8A-4AEF-406D-83BD-BD3094704A19-150x150.jpg\" alt=\"Thumbnail of http:\/\/Nathalie%20Decoster,%20Frailty%20Cube,\u00a9%20Nathalie%20Decoster\" \/>\n        <\/figure>\n      <\/div>\n            <div class=\"item-thumbnail\">\n        <figure>\n          <img decoding=\"async\" class=\"carousel-cell\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/IMG_1802-150x150.jpg\" data-flickity-lazyload=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/05\/IMG_1802-150x150.jpg\" alt=\"Thumbnail of http:\/\/Nathalie%20Decoster,%20Espace-Temps,%20\u00a9%20Nathalie%20Decoster\" \/>\n        <\/figure>\n      <\/div>\n        <\/div>\n<\/div>\n<style>\n  .invisible.flickity-enabled {visibility: visible !important}\n  <\/style>\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"676\" src=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/04\/nathalieme-6-Bon-ld-1024x676.jpg\" alt=\"\" class=\"wp-image-13165\" srcset=\"https:\/\/artinterview.com\/wp-content\/uploads\/2025\/04\/nathalieme-6-Bon-ld-1024x676.jpg 1024w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/04\/nathalieme-6-Bon-ld-300x198.jpg 300w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/04\/nathalieme-6-Bon-ld-768x507.jpg 768w, https:\/\/artinterview.com\/wp-content\/uploads\/2025\/04\/nathalieme-6-Bon-ld.jpg 1520w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\">Nathalie Decoster et Fanny Revault dans son atelier<\/h5>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=B8XSAAN6Kko\" target=\"_blank\" rel=\"noreferrer noopener\">Visionnez ici l&#8217;interview de Nathalie Decoster<\/a><\/p>\n","protected":false},"featured_media":13162,"template":"","class_list":["post-13160","critique","type-critique","status-publish","has-post-thumbnail","hentry","categorie_crit-autour-d-une-oeuvre","categorie_crit-sculpture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nathalie Decoster - Art Interview<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artinterview.com\/en\/critique\/nathalie-decoster\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nathalie Decoster - Art Interview\" \/>\n<meta property=\"og:description\" content=\"L\u00e9viathan Thot d\u2019Ernesto Neto \u00c0 la rencontre d\u2019une personnalit\u00e9 du monde de l\u2019art et de la 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