{"id":1254,"date":"2020-01-31T14:17:51","date_gmt":"2020-01-31T13:17:51","guid":{"rendered":"http:\/\/artinterview.bai-bao.fr\/?post_type=critique&#038;p=1254"},"modified":"2022-12-31T13:07:21","modified_gmt":"2022-12-31T12:07:21","slug":"photographie","status":"publish","type":"critique","link":"https:\/\/artinterview.com\/en\/critique\/photographie\/","title":{"rendered":"Photographie"},"content":{"rendered":"\n<p>Au d\u00e9but du XX\u00e8me si\u00e8cle, Alfred Stieglitz revendique la valeur de la vision subjective de celui qui se trouve derri\u00e8re l\u2019objectif : la photographie, jusque l\u00e0 consid\u00e9r\u00e9e comme une sorte d\u2019exp\u00e9rience ou d\u2019un simple divertissement, acqui\u00e8re au fur et \u00e0 mesure la pleine dignit\u00e9 d\u2019un moyen d\u2019expression capable de v\u00e9hiculer des messages et des \u00e9motions, voire t\u00e9moigner des \u00e9pisodes significatifs dans l\u2019histoire la plus r\u00e9cente de l\u2019humanit\u00e9. \u00c0 la t\u00eate du parcours de la photographie se trouvent des pionniers tels que Henri Cartier-Bresson ou Edward Weston qui ont, en quelque sorte, trac\u00e9 des lignes directrices constituant encore, de nos jours, un point de rep\u00e9rage pour tout photographe.<\/p>\n\n\n\n<p>Le d\u00e9veloppement et l\u2019am\u00e9lioration d\u2019appareils photographiques, objectifs, pellicules, techniques d\u2019impression a soutenu la croissance de la photographie, qui s\u2019est affirm\u00e9e en tant qu\u2019outil versatile pour la repr\u00e9sentation du v\u00e9cu quotidien, ainsi que pour la recherche de nouveaux langages visuels. Des reportages journalistiques ax\u00e9s sur les warzones ou sur des contextes socialement instables, des portraits souvent connot\u00e9s par une intense introspection psychologique, des paysages urbains et naturalistes, des still life, des abstractions : l\u2019univers de la photographie couvre un horizon extr\u00eamement vaste.<\/p>\n\n\n\n<p>Auparavant, le perfectionnement de la couleur, plus r\u00e9cemment l\u2019utilisation de cam\u00e9ras num\u00e9riques et de drones ne sont que des exemples qui illustrent comment la technologie peut permettre \u00e0 la photographie d\u2019explorer de nouveaux territoires. Par cons\u00e9quent, \u00eatre photographe signifie, aujourd\u2019hui, s\u2019impliquer dans un parcours de recherche dirig\u00e9, et non pas revenir sur des chemins d\u00e9j\u00e0 exploit\u00e9s, mais plut\u00f4t \u00e0 s\u2019aventurer dans la fronti\u00e8re de la dimension artistique.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"featured_media":5704,"template":"","class_list":["post-1254","critique","type-critique","status-publish","has-post-thumbnail","hentry","categorie_crit-photographie"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Photographie - Art Interview<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artinterview.com\/en\/critique\/photographie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Photographie - Art Interview\" \/>\n<meta property=\"og:description\" content=\"Au d\u00e9but du XX\u00e8me si\u00e8cle, Alfred Stieglitz revendique la valeur de la vision subjective de celui qui se trouve derri\u00e8re l\u2019objectif : la photographie, jusque l\u00e0 consid\u00e9r\u00e9e comme une sorte d\u2019exp\u00e9rience ou d\u2019un simple divertissement, acqui\u00e8re au fur et \u00e0 mesure la pleine dignit\u00e9 d\u2019un moyen d\u2019expression capable de v\u00e9hiculer des messages et des \u00e9motions, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artinterview.com\/en\/critique\/photographie\/\" \/>\n<meta property=\"og:site_name\" content=\"Art Interview\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/artinterviewmagazine\/\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-31T12:07:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/01\/photo-paris-photo-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1960\" \/>\n\t<meta property=\"og:image:height\" content=\"1470\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artinterview.com\\\/en\\\/critique\\\/photographie\\\/\",\"url\":\"https:\\\/\\\/artinterview.com\\\/en\\\/critique\\\/photographie\\\/\",\"name\":\"Photographie - 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