{"id":11271,"date":"2022-11-29T21:03:58","date_gmt":"2022-11-29T20:03:58","guid":{"rendered":"https:\/\/www.artinterview.com\/?post_type=critique&p=11271"},"modified":"2023-10-10T13:15:30","modified_gmt":"2023-10-10T11:15:30","slug":"art-et-mode","status":"publish","type":"critique","link":"https:\/\/artinterview.com\/en\/critique\/art-et-mode\/","title":{"rendered":"Art et mode !"},"content":{"rendered":"\n

Art Interview, partenaire de la revue du MNAM<\/strong>
Vestimentaires<\/strong><\/h4>\n\n\n\n

N\u00b0161 des \u00ab Cahiers du Mus\u00e9e national d\u2019art moderne \u00bb
Sous la direction de Jean-Pierre Criqui<\/h6>\n\n\n\n

Art Interview a toujours \u00e9t\u00e9 sensible au monde de la mode et \u00e0 ses \u00e9changes dans le champ de la cr\u00e9ation artistique. Leurs influences r\u00e9ciproques naissent du m\u00eame terreau, s\u2019abreuvent de l\u2019air du temps<\/strong>. Nous connaissons les emprunts et citations plus ou moins directs des cr\u00e9ateurs au monde de l’art. Gabrielle Chanel s\u2019inspire de la peinture cubiste et du n\u00e9oplasticisme de Mondrian pour concevoir le flacon du N\u00b0 5 et \u00e9purer le vestiaire f\u00e9minin ; Karl Lagerfeld est influenc\u00e9 par la statuaire antique ; Yves Saint Laurent trouve dans le bleu IKB d\u2019Yves Klein des sources d\u2019inspiration. Certains cr\u00e9ateurs se situent enfin \u00e0 la fronti\u00e8re de l\u2019industrie et du geste artistique singulier, performatif, transgressif, comme Alexander McQueen et Martin Margiela. Mais nous savons moins dans quelle mesure les artistes eux-m\u00eames consid\u00e8rent, ignorent ou r\u00eavent le monde de la mode. <\/strong>

Comment les artistes s\u2019emparent-ils de la mode ? Quels croisements d\u00e9voilent-ils entre v\u00eatements et art ? Art Interview a apport\u00e9 son soutien \u00e0 cette publication riche de textes et d\u2019images qui r\u00e9v\u00e8le la multiplicit\u00e9 des liens entre l\u2019art et la mode.<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Les Cahiers du MNAM<\/em>, avec ce num\u00e9ro intitul\u00e9 \u00ab Vestimentaires \u00bb, proposent un ensemble de textes et d\u2019images qui laissent entrevoir sous divers angles les croisements entre l\u2019art et le v\u00eatement. Emilie Hammen \u00e9voque les liens entre mode et avant-gardes ; Guillaume Leingre analyse l\u2019\u0153uvre passionnante de Kiki Kogelnik (1935-1997), artiste autrichienne qui entreprit une r\u00e9flexion plastique sur le costume dans tous ses \u00e9tats ; Jeanne Vicerial<\/a> pr\u00e9sente ses recherches les plus r\u00e9centes, Marine Serre retrace son parcours, Stephane Wargnier, revient sur l\u2019image de mode de ces quarante derni\u00e8res ann\u00e9es. On retrouve \u00e9galement Yves Saint Laurent et Martin Margiela, artistes de mode<\/em>, et d\u2019autres r\u00e9flexions dont la mode est le support. La revue se termine par un entretien d’Art Interview avec Philippe-Alain Michaud<\/a>, conservateur au Mus\u00e9e National d\u2019Art Moderne \u2013 Centre Pompidou, charg\u00e9 de la collection des films.<\/p>\n\n\n\n

Ce num\u00e9ro a \u00e9t\u00e9 publi\u00e9 avec le soutien d\u2019Art Interview.<\/strong><\/strong>

<\/p>\n\n\n\n

A noter !<\/h4>\n\n\n\n

Soir\u00e9e de rencontre pour le lancement du num\u00e9ro automne n\u00b0161 des Cahiers du MNAM<\/strong>
Rendez-vous le 9 d\u00e9cembre de 19h \u00e0 21h au niveau -1
Entr\u00e9e libre<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00ab La Mode, cette fois, ne viendrait-elle pas du Salon de Peinture ? \u00bb, se demandait St\u00e9phane Mallarm\u00e9, \u00e9crivant \u00e0 l\u2019automne 1874, sous le pseudonyme de Marguerite de Ponty, dans La Derni\u00e8re Mode<\/em>, \u00ab Gazette du monde et de la famille \u00bb que le po\u00e8te r\u00e9digea seul, ou presque, l\u2019espace de huit livraisons \u00e9ph\u00e9m\u00e8res. Et il ajouterait un peu plus tard, recourant \u00e0 un autre nom d\u2019emprunt (le transparent Ix<\/em>) : \u00ab Rien n\u2019est \u00e0 n\u00e9gliger de l\u2019existence d\u2019une \u00e9poque : tout y appartient \u00e0 tous. \u00bb <\/strong>

C\u2019est selon une m\u00eame perspective, qui prend acte des liens de l\u2019art et du costume tout en revendiquant le droit d\u2019aborder un domaine qui \u00e9chappe en temps ordinaire \u00e0 leur juridiction, que Les Cahiers du Mnam<\/em>, avec une livraison intitul\u00e9e \u00ab\u202fVestimentaires \u00bb, proposent un ensemble de textes et d\u2019images qui laissent entrevoir sous divers angles les croisements \u2014cha\u00eene et trame \u2014 dont est tiss\u00e9e cette affinit\u00e9 imm\u00e9moriale. La toile, support textile dans nombre de cas du tableau aussi bien que du v\u00eatement, lesquels nous font autant qu\u2019on les fait, fournit une voie d\u2019acc\u00e8s possible \u00e0 la question. Au cours de cette soir\u00e9e \u00c9milie Hammen \u00e9voque les liens entre mode et avant-gardes et l\u2019\u0153uvre passionnante de Kiki Kogelnik (1935-1997), artiste autrichienne qui entreprit une r\u00e9flexion plastique sur le costume dans tous ses \u00e9tats, est analys\u00e9e en d\u00e9tail par Guillaume Leingre. Jeanne Vicerial<\/a> pr\u00e9sente ses recherches les plus r\u00e9centes. On retrouve \u00e9galement Yves Saint Laurent et Martin Margiela, artistes de mode s\u2019il en fut, qui nous rappellent au passage combien le spectre de la disparition hante le champ qui nous occupe ici, couture et peinture m\u00eal\u00e9es.  <\/p>\n\n\n\n

S\u00e9ance anim\u00e9e par Jean-Pierre Criqui, conservateur au Centre Pompidou (collections contemporaines) et r\u00e9dacteur en chef des Cahiers du Mnam<\/em>. <\/p>\n\n\n\n

Achetez le Cahier du MNAM n\u00b0 161<\/a><\/h6>\n\n\n\n

<\/p>\n","protected":false},"featured_media":11274,"template":"","class_list":["post-11271","critique","type-critique","status-publish","has-post-thumbnail","hentry","categorie_crit-mode"],"acf":[],"yoast_head":"\nArt et mode ! - Art Interview<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artinterview.com\/en\/critique\/art-et-mode\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art et mode ! - Art Interview\" \/>\n<meta property=\"og:description\" content=\"Art Interview, partenaire de la revue du MNAMVestimentaires N\u00b0161 des \u00ab Cahiers du Mus\u00e9e national d\u2019art moderne \u00bbSous la direction de Jean-Pierre Criqui Art Interview a toujours \u00e9t\u00e9 sensible au monde de la mode et \u00e0 ses \u00e9changes dans le champ de la cr\u00e9ation artistique. Leurs influences r\u00e9ciproques naissent du m\u00eame terreau, s\u2019abreuvent de l\u2019air […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artinterview.com\/en\/critique\/art-et-mode\/\" \/>\n<meta property=\"og:site_name\" content=\"Art Interview\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/artinterviewmagazine\/\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-10T11:15:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/artinterview.com\/wp-content\/uploads\/2022\/11\/critique-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"270\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/artinterview.com\\\/en\\\/critique\\\/art-et-mode\\\/\",\"url\":\"https:\\\/\\\/artinterview.com\\\/en\\\/critique\\\/art-et-mode\\\/\",\"name\":\"Art et mode ! - Art Interview\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/artinterview.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/artinterview.com\\\/en\\\/critique\\\/art-et-mode\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/artinterview.com\\\/en\\\/critique\\\/art-et-mode\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/artinterview.com\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/critique-1.jpg\",\"datePublished\":\"2022-11-29T20:03:58+00:00\",\"dateModified\":\"2023-10-10T11:15:30+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/artinterview.com\\\/en\\\/critique\\\/art-et-mode\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/artinterview.com\\\/en\\\/critique\\\/art-et-mode\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/artinterview.com\\\/en\\\/critique\\\/art-et-mode\\\/#primaryimage\",\"url\":\"https:\\\/\\\/artinterview.com\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/critique-1.jpg\",\"contentUrl\":\"https:\\\/\\\/artinterview.com\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/critique-1.jpg\",\"width\":400,\"height\":270},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/artinterview.com\\\/en\\\/critique\\\/art-et-mode\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/artinterview.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Critique\",\"item\":\"https:\\\/\\\/artinterview.com\\\/en\\\/critique\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Art et mode !\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/artinterview.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/artinterview.com\\\/en\\\/\",\"name\":\"Art Interview\",\"description\":\"Because art is everywhere\",\"publisher\":{\"@id\":\"https:\\\/\\\/artinterview.com\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/artinterview.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/artinterview.com\\\/en\\\/#organization\",\"name\":\"Art Interview\",\"url\":\"https:\\\/\\\/artinterview.com\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/artinterview.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.artinterview.com\\\/wp-content\\\/uploads\\\/2020\\\/04\\\/5c337d0326d4de5bde65529a.png\",\"contentUrl\":\"https:\\\/\\\/www.artinterview.com\\\/wp-content\\\/uploads\\\/2020\\\/04\\\/5c337d0326d4de5bde65529a.png\",\"width\":3397,\"height\":2374,\"caption\":\"Art Interview\"},\"image\":{\"@id\":\"https:\\\/\\\/artinterview.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/artinterviewmagazine\\\/\",\"https:\\\/\\\/www.instagram.com\\\/art.interview\\\/\",\"https:\\\/\\\/www.youtube.com\\\/channel\\\/UCjnghW7ZyDAts9yGi-Ic19w\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Art et mode ! - Art Interview","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/artinterview.com\/en\/critique\/art-et-mode\/","og_locale":"en_US","og_type":"article","og_title":"Art et mode ! - Art Interview","og_description":"Art Interview, partenaire de la revue du MNAMVestimentaires N\u00b0161 des \u00ab Cahiers du Mus\u00e9e national d\u2019art moderne \u00bbSous la direction de Jean-Pierre Criqui Art Interview a toujours \u00e9t\u00e9 sensible au monde de la mode et \u00e0 ses \u00e9changes dans le champ de la cr\u00e9ation artistique. Leurs influences r\u00e9ciproques naissent du m\u00eame terreau, s\u2019abreuvent de l\u2019air […]","og_url":"https:\/\/artinterview.com\/en\/critique\/art-et-mode\/","og_site_name":"Art Interview","article_publisher":"https:\/\/www.facebook.com\/artinterviewmagazine\/","article_modified_time":"2023-10-10T11:15:30+00:00","og_image":[{"width":400,"height":270,"url":"https:\/\/artinterview.com\/wp-content\/uploads\/2022\/11\/critique-1.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/artinterview.com\/en\/critique\/art-et-mode\/","url":"https:\/\/artinterview.com\/en\/critique\/art-et-mode\/","name":"Art et mode ! - Art Interview","isPartOf":{"@id":"https:\/\/artinterview.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/artinterview.com\/en\/critique\/art-et-mode\/#primaryimage"},"image":{"@id":"https:\/\/artinterview.com\/en\/critique\/art-et-mode\/#primaryimage"},"thumbnailUrl":"https:\/\/artinterview.com\/wp-content\/uploads\/2022\/11\/critique-1.jpg","datePublished":"2022-11-29T20:03:58+00:00","dateModified":"2023-10-10T11:15:30+00:00","breadcrumb":{"@id":"https:\/\/artinterview.com\/en\/critique\/art-et-mode\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/artinterview.com\/en\/critique\/art-et-mode\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/artinterview.com\/en\/critique\/art-et-mode\/#primaryimage","url":"https:\/\/artinterview.com\/wp-content\/uploads\/2022\/11\/critique-1.jpg","contentUrl":"https:\/\/artinterview.com\/wp-content\/uploads\/2022\/11\/critique-1.jpg","width":400,"height":270},{"@type":"BreadcrumbList","@id":"https:\/\/artinterview.com\/en\/critique\/art-et-mode\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/artinterview.com\/en\/"},{"@type":"ListItem","position":2,"name":"Critique","item":"https:\/\/artinterview.com\/en\/critique\/"},{"@type":"ListItem","position":3,"name":"Art et mode !"}]},{"@type":"WebSite","@id":"https:\/\/artinterview.com\/en\/#website","url":"https:\/\/artinterview.com\/en\/","name":"Art Interview","description":"Because art is everywhere","publisher":{"@id":"https:\/\/artinterview.com\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/artinterview.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/artinterview.com\/en\/#organization","name":"Art Interview","url":"https:\/\/artinterview.com\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/artinterview.com\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.artinterview.com\/wp-content\/uploads\/2020\/04\/5c337d0326d4de5bde65529a.png","contentUrl":"https:\/\/www.artinterview.com\/wp-content\/uploads\/2020\/04\/5c337d0326d4de5bde65529a.png","width":3397,"height":2374,"caption":"Art Interview"},"image":{"@id":"https:\/\/artinterview.com\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/artinterviewmagazine\/","https:\/\/www.instagram.com\/art.interview\/","https:\/\/www.youtube.com\/channel\/UCjnghW7ZyDAts9yGi-Ic19w"]}]}},"_links":{"self":[{"href":"https:\/\/artinterview.com\/en\/wp-json\/wp\/v2\/critique\/11271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artinterview.com\/en\/wp-json\/wp\/v2\/critique"}],"about":[{"href":"https:\/\/artinterview.com\/en\/wp-json\/wp\/v2\/types\/critique"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artinterview.com\/en\/wp-json\/wp\/v2\/media\/11274"}],"wp:attachment":[{"href":"https:\/\/artinterview.com\/en\/wp-json\/wp\/v2\/media?parent=11271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}