{"version":"1.0","provider_name":"Art Interview","provider_url":"https:\/\/artinterview.com\/en\/","title":"Lorenzo Fiaschi - Art Interview","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"imZZiLhCWE\"><a href=\"https:\/\/artinterview.com\/en\/une-oeuvre-une-rencontre\/lorenzo-fiaschi\/\">Lorenzo Fiaschi<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/artinterview.com\/en\/une-oeuvre-une-rencontre\/lorenzo-fiaschi\/embed\/#?secret=imZZiLhCWE\" width=\"600\" height=\"338\" title=\"&#8220;Lorenzo Fiaschi&#8221; &#8212; Art Interview\" data-secret=\"imZZiLhCWE\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/artinterview.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/artinterview.com\/wp-content\/uploads\/2022\/05\/chen-ld.jpg","thumbnail_width":1300,"thumbnail_height":731,"description":"Alors qu\u2019il errait dans les rues de l\u2019Arsenal \u00e0 la Biennale de Venise en 1999, Lorenzo Fiaschi, codirecteur de la galerie Continua, fut attir\u00e9 par des sons provenant d\u2019une salle. En s\u2019approchant, il y d\u00e9couvrit un r\u00e9seau de tambours faits de peaux de vache tendues sur des structures de lits et de chaises. Cette installation [&hellip;]"}