{"version":"1.0","provider_name":"Art Interview","provider_url":"https:\/\/artinterview.com\/en\/","title":"Olivia Descampe - Interview - Plasticians - Art Interview","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"mloCK918Ln\"><a href=\"https:\/\/artinterview.com\/en\/interviews\/olivia-descampe\/\">Olivia Descampe<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/artinterview.com\/en\/interviews\/olivia-descampe\/embed\/#?secret=mloCK918Ln\" width=\"600\" height=\"338\" title=\"&#8220;Olivia Descampe&#8221; &#8212; Art Interview\" data-secret=\"mloCK918Ln\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/artinterview.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/artinterview.com\/wp-content\/uploads\/2021\/03\/olivia-descampe.jpg","thumbnail_width":1100,"thumbnail_height":773,"description":"Some artists from the German Bauhaus, such as Xanti Schawinsky, used this laminar pattern to deconstruct photographic images. The process was then used again by Italian futurists such as Marcello Nizzoli and ultimately appeared in Victor Vasarely\u2019s 1976 kinetic optic portrait of Georges Pompidou. But the very first example of laminar optical and kinetic decomposition [&hellip;]"}