{"version":"1.0","provider_name":"Art Interview","provider_url":"https:\/\/artinterview.com\/en\/","title":"L\u2019Art brut. Le guide - Art Interview","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"nimyR8FhJX\"><a href=\"https:\/\/artinterview.com\/en\/critique\/lart-brut-le-guide\/\">L\u2019Art brut. Le guide<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/artinterview.com\/en\/critique\/lart-brut-le-guide\/embed\/#?secret=nimyR8FhJX\" width=\"600\" height=\"338\" title=\"&#8220;L\u2019Art brut. Le guide&#8221; &#8212; Art Interview\" data-secret=\"nimyR8FhJX\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/artinterview.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/05\/nbLeopard-guepard-leopard-Takayuki-Ayama-2016_0_1399_944.jpg","thumbnail_width":1138,"thumbnail_height":653,"description":"C\u00e9line Delavaux est l\u2019auteur d\u2019une th\u00e8se de doctorat sur Dubuffet et l\u2019art brut (L\u2019Art brut, un fantasme de peintre, Flammarion, 2019), ainsi que de nombreux ouvrages sur l\u2019art brut, l\u2019art moderne et contemporain. Elle est la coordinatrice \u00e9ditoriale de Grande Galerie. Le Journal du Louvre et collabore \u00e0 diverses revues culturelles. Extrait de&nbsp;L\u2019Art brut. Le [&hellip;]"}