{"version":"1.0","provider_name":"Art Interview","provider_url":"https:\/\/artinterview.com\/en\/","title":"Entretien avec Nele Verhaeren, directrice d'Art Brussels 2024 - Art Interview","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"gV97DKTC5Y\"><a href=\"https:\/\/artinterview.com\/en\/critique\/entretien-avec-nele-verhaeren-directrice-dart-brussels-2024\/\">Entretien avec Nele Verhaeren, directrice d&#8217;Art Brussels 2024<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/artinterview.com\/en\/critique\/entretien-avec-nele-verhaeren-directrice-dart-brussels-2024\/embed\/#?secret=gV97DKTC5Y\" width=\"600\" height=\"338\" title=\"&#8220;Entretien avec Nele Verhaeren, directrice d&#8217;Art Brussels 2024&#8221; &#8212; Art Interview\" data-secret=\"gV97DKTC5Y\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/artinterview.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/artinterview.com\/wp-content\/uploads\/2024\/09\/Art-Brussels-2024-17.jpg","thumbnail_width":1350,"thumbnail_height":1013,"description":"Il n\u2019est pas trop de dire que Nele Verhaeren fait corps avec l\u2019ADN d\u2019Art Brussels. Une directrice qui a soigneusement mitonn\u00e9 en avril dernier les petits plats dans les grands en organisant la 40\u00e8me \u00e9dition de cette foire qu\u2019elle conna\u00eet sur le bout des ongles. Dresser son portrait ne nous oblige en aucun cas \u00e0 [&hellip;]"}