{"version":"1.0","provider_name":"Art Interview","provider_url":"https:\/\/artinterview.com\/en\/","title":"La critique d\u2019art romantique entre po\u00e9sie et philosophie\u00a0 - Art Interview","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"WUEPsT6eje\"><a href=\"https:\/\/artinterview.com\/en\/critique\/critique-romantique-reflexivite-et-poesie\/\">La critique d\u2019art romantique entre po\u00e9sie et philosophie\u00a0<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/artinterview.com\/en\/critique\/critique-romantique-reflexivite-et-poesie\/embed\/#?secret=WUEPsT6eje\" width=\"600\" height=\"338\" title=\"&#8220;La critique d\u2019art romantique entre po\u00e9sie et philosophie\u00a0&#8221; &#8212; Art Interview\" data-secret=\"WUEPsT6eje\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/artinterview.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/08\/Caspar_David_Friedrich_-_Frau_vor_untergehender_Sonne-1.jpg","thumbnail_width":1200,"thumbnail_height":863,"description":"Mais tout v\u00e9ritable po\u00e8te est n\u00e9cessairement un critique de premier ordre. Paul Val\u00e9ry, Vari\u00e9t\u00e9, Gallimard, ed. Pl\u00e9iade, 1957, t. I, p. 1335. Dans un texte consacr\u00e9 \u00e0 Richard Wagner, Charles Baudelaire rapproche de fa\u00e7on assez remarquable cr\u00e9ation et critique d\u2019art, tout en tra\u00e7ant une fronti\u00e8re \u00e9tanche entre les deux. Il estime que l\u2019activit\u00e9 cr\u00e9atrice ne [&hellip;]"}