{"version":"1.0","provider_name":"Art Interview","provider_url":"https:\/\/artinterview.com\/en\/","title":"Apollinaire - Art Interview","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"00DAU6AMh8\"><a href=\"https:\/\/artinterview.com\/en\/critique\/apollinaire\/\">Apollinaire<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/artinterview.com\/en\/critique\/apollinaire\/embed\/#?secret=00DAU6AMh8\" width=\"600\" height=\"338\" title=\"&#8220;Apollinaire&#8221; &#8212; Art Interview\" data-secret=\"00DAU6AMh8\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/artinterview.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/artinterview.com\/wp-content\/uploads\/2020\/01\/Guillaume_Apollinaire_c._1916-e1581516117435.jpg","thumbnail_width":410,"thumbnail_height":351,"description":"Sous le Pont Mirabeau,\u00a0Alcools, \u00ab\u00a0calligrammes\u00a0\u00bb, le portrait pr\u00e9monitoire de De Chirico, tels sont les premiers clich\u00e9s qui viennent \u00e0 l\u2019esprit quand le nom de Guillaume Apollinaire est prononc\u00e9. Ils refl\u00e8tent certes la personnalit\u00e9 originale de cet \u00e9crivain qui \u00e9tait cependant bien plus qu\u2019un po\u00e8te.D\u2019origine polonaise et de nationalit\u00e9 russe, Guglielmo Alberto Wladimiro Alessandro Apollinare de [&hellip;]"}