1.0Art Interviewhttps://artinterview.com/en/rich600338<blockquote class="wp-embedded-content" data-secret="a0Oa4Ud6p0"><a href="https://artinterview.com/en/interviews/will-cotton/">Will Cotton</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://artinterview.com/en/interviews/will-cotton/embed/#?secret=a0Oa4Ud6p0" width="600" height="338" title="“Will Cotton” — Art Interview" data-secret="a0Oa4Ud6p0" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://artinterview.com/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://artinterview.com/wp-content/uploads/2020/05/COTTON_Portrait_2020-site-1.jpg15001030Much like Cabanel’s large paintings of Venus or Boucher’s lascivious and indolent bodies, Will Cotton’s extremely precise and meticulously realistic style, depicts a dreamlike world where women mingle with confectionery landscapes. His utopias reveal parallel worlds where underlying desires are forever unquenched, thereby questionning notion of pleasure. In keeping with this permanent celebration of a […]